Études anglaises 2004- 1 (Tome 57)| ISSN 0014-195-X | ISSN numérique : en cours | ISBN : | page 117 à 127 Distribution électronique Cairn pour les éditions Klincksieck. © Klincksieck. Tous droits réservés pour tous pays. Il est interdit, sauf accord préalable et écrit de l’éditeur, de reproduire (notamment par photocopie) partiellement ou totalement le présent article, de le stocker dans une banque de données ou de le communiquer au public sous quelque forme et de quelque manière que ce soit.

Bibliographie

Contexte et ouvrages généraux

1

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2

Amigoni, David. Victorian Biography: Intellectuals and the Ordering of Discourse. London: Harvester, 1993.

3

Auerbarch, Emily. Women and the Demon: the Life of a Victorian Myth. Cambridge Mass.: Harvard UP, 1982.

4

Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Oxford UP, 1996.

5

Boos, Florence S., ed. History and Community: Essays in Victorian Medievalism. New York: Garland, 1992.

6

Bowler, Peter J. The Invention of Progress: the Victorians and the Past. Oxford: Blackwell, 1989.

7

Brantlinger, Patrick. Rule of Darkness: British Literature and Imperialism, 1830-1914. Ithaca, New York: Cornell UP, 1988.

8

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9

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10

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11

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12

Chandler, Alice. A Dream of Order: The Medieval Ideal in Nineteenth-Century English Literature. London: Routledge and Kegan Paul, 1971.

13

Christ, Carol T. and John O. Jordan, eds. Victorian Literature and the Visual Imagination. Berkeley: U of California P, 1995.

14

Culler, A. Dwight. The Victorian Mirror of History. New Haven: Yale UP, 1986.

15

Dale, Peter Allan. In Pursuit of a Scientific Culture: Science, Art and Society in the Victorian Age. Madison: U of Wisconsin P, 1989.

16

Davis, R.W. and Helmstadter, eds. Religion and Irreligion in Victorian Society: Essays in Honor of R. K. Webb. London: Routledge, 1992.

17

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18

Fraser, Hilary. The Victorians and Renaissance Italy. Oxford: Blackwell, 1992.

19

Hardman, Michael. Six Victorian Thinkers in Context. Manchester: Manchester UP, 1990.

20

Houghton, Walter. The Victorian Frame of Mind: 1830-1870. New Haven: Yale UP, 1957.

21

John, Juliet. Rethinking Victorian Culture. Basingstoke: Macmillan, 1999.

22

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23

Le Quesne, A. L., et al. Victorian Thinkers: Carlyle, Ruskin, Arnold, Morris. Oxford: Oxford UP, 1993.

24

Lecercle, Jean-Jacques. Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature. London: Routledge, 1994.

25

Miller, J. Hillis. The Disappearance of God: Five Nineteenth-Century Writers. Cambridge: The Belknap P of Harvard UP, 1963.

26

Morgan, Thais E., ed. Victorian Sages and Cultural Discourse: Renegotiating Gender and Power. New Brunswick: Rutgers UP, 1990.

27

Morse, David. High Victorian Culture. Basingstoke: Macmillan, 1993.

28

Poovey, Mary. Making a Social Body: British Cultural Formation, 1830-1864. U of Chicago P, 1995.

29

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31

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32

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Études générales sur la poésie victorienne

33

Armstrong, Isobel, ed. The Major Four Victorian Poets: Reconsiderations. London: Routledge, 1969.

34

—. Victorian Poetry: Poetry, Politics, Poetics. London: Routledge, 1993.

35

Armstrong, Isobel and Virginia Blain, eds. Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900. New York: St. Martin’s P, 1999.

36

Auden, W. H. Nineteenth-Century Minor Poets. [1966]. London: Faber, 1967.

37

Blank, G. Kim and Margot K. Louis, eds. Influence and Resistance in Nineteenth-Century British Poetry. Basingstoke: Macmillan, 1993.

38

Bradbury, Malcolm and David Palmer, eds. Victorian Poetry. London: Edward Arnold, 1972.

39

Bristow, Joseph, ed. The Cambridge Companion to Victorian Poetry. Cambridge: Cambridge UP, 2000.

40

Brook, Stopford A. Four Victorian Poets: A Study of Clough, Arnold, Rossetti, Morris. New York: Russell and Russell, 1964.

41

Bruckmuller-Genlot, Danielle. Les Préraphaélites. Paris : Armand Colin, 1994.

42

Campbell, Matthew. Rhythm and Will in Victorian Poetry. Cambridge: Cambridge UP, 1999.

43

Christ, Carol T. The Finer Optic: The Aesthetic of Particularity in Victorian Poetry. New Haven: Yale UP, 1975.

44

—. Victorian and Modern Poetics. Chicago: U of Chicago P, 1984.

45

Colville, Derek. Victorian Poetry and the Romantic Religion. New York: State U of New York P, 1970.

46

Dellamora, Richard. Masculine Desires: The Sexual Politics of Victorian Aestheticism. Chapel Hill: U of North Carolina P, 1990.

47

Edmond, Rod. Affairs of the Hearth: Victorian Poetry and Domestic Narrative. London: Routledge, 1988.

48

Elfenbein, Andrew. Byron and the Victorians. Cambridge: Cambridge UP, 1995.

49

Faas, Ekbert. Retreat into the Mind: Victorian Poetry and the Rise of Psychiatry. Princeton: Princeton UP, 1988.

50

Fletcher, Pauline. Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry. Princeton: Princeton UP, 1983.

51

Gallet, René. Romantisme et postromantisme de Coleridge à Hardy: nature et surnature. Paris : L’Harmattan, 1996.

52

Griffiths, Eric. The Printed Voice of Victorian Poetry. Oxford: Oxford UP, 1989.

53

Gumey, Stephen. British Poetry of the Nineteenth Century. New York: Twayne P, 1993.

54

Harrison, Antony H. Victorian Poets and the Politics of Culture: Discourse and Ideology. Charlottesville: UP of Virginia, 1998.

55

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56

Honninghausen, Lothar. The Symbolist Tradition in English Literature: A Study of Pre-Raphaelitism and Fin de Siècle. [1971]. Cambridge: Cambridge UP, 1988.

57

Hough, Graham. The Last Romantics. London: Duckworth, 1949.

58

Howe, Elizabeth. The Dramatic Monologue. New York: Twayne, 1996.

59

Hunt, John. The Pre-Raphaelite Imagination, 1849-1900. Lincoln: U of Nebraska P, 1968.

60

Johnson, E. D. H. The Alien Vision of Victorian Poetry. Hamden: Archon Books, 1963.

61

Langbaum, Robert. The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. New York: Random House, 1957.

62

Lavabre, Simone. La Mélancolie et la poésie victorienne. Atelier de Reproduction des Thèses, Université de Lille III, 1981.

63

Leighton, Angela, ed. Victorian Women Poets: A Critical Reader. Oxford: Blackwell, 1996.

64

—. Victorian Women Poets: Writing Against the Heart. Charlottesville: UP of Virginia, 1992.

65

Lootens, Tricia. Lost Saints: Silence, Gender, and Victorian Literary Canonization. Charlottesville: UP of Virginia, 1996.

66

Lucas, John. England and Englishness. London: Hogarth P, 1990.

67

McGann, Jerome, J. ed. Victorian Connections. Charlottesville: UP of Virginia, 1989.

68

McSweeney, Kerry. Supreme Attachments: Studies in Victorian Love Poetry. Aldershot: Ashgate, 1998.

69

Mermin, Dorothy. The Audience in the Poem: Five Victorian Poets. New Brunswick: Rutgers UP, 1983.

70

Miller, John Hillis. The Linguistic Moment: From Wordsworth to Stevens. Princeton: Princeton UP, 1985.

71

Morgan, Thaïs E. « Theorizing Victorian poetry: an introduction ». Victorian Studies 29 (1991): 329-32.

72

Prins, Yopie. Victorian Sappho. Princeton: Princeton UP, 1999.

73

Psomiades, Kathy A. Beauty’s Body: Femininity and Representation in British Aestheticism. Stanford: Stanford UP, 1997.

74

Richardson, James. Vanishing Lives, Style and Self in Tennyson, D.G. Rossetti, Swinburne and Yeats. Charlottesville: UP of Virginia, 1988.

75

Shaw, W. David. The Lucid Veil: Poetic Truth in the Victorian Age. London: Athlone P, 1987.

76

Sinfield, Alan. Dramatic Monologue. London: Methuen, 1977.

77

Slinn, E. Warwick. The Discourse of Self in Victorian Poetry. Charlottesville: UP of Virginia, 1991.

78

Sussman, Herbert L. Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature. Cambridge: Cambridge UP, 1995.

79

Tennyson, G. B. Victorian Devotional Poetry: The Tractarian Mode. Berkeley: U of California P, 1981.

80

Thesing, William B. The London Muse: Victorian Poetic Responses to the City. Athens: U of Georgia P, 1982.

81

Wagner, Jennifer A. Revisionary Poetics and the Nineteenth-Century Sonnet. London: Associated UP, 1996.

82

Ward, John. Powell. The English Line: Poetry of the Unpoetic from Wordsworth to Larkin. Basingstoke: Blackwell, 1991.

Poètes faisant l’objet d’un article dans le volume

Alfred Tennyson (1809-1892)

83

Baker, Arthur, Ernest. A Concordance to the Poetical and Dramatic Works of Alfred, Lord Tennyson, 1830-1868. London: Routledge, 1967.

84

Beetz, Kirk K. Tennyson: A Bibliography, 1827-1982. Harvard: Harvard UP, 1984.

85

Buckley, Jerome H. Tennyson: The Growth of a Poet. Cambridge: Cambridge UP, 1967.

86

Collins, Philip, ed. Tennyson: Seven Essays. London: Macmillan, 1992.

87

Culler, A. Dwight. The Poetry of Tennyson. New Haven: Yale UP, 1977.

88

Gerhard, Joseph. “Why are they saying such bad things about Victorian poetry? Recent Tennyson criticism.” Victorian Studies; vol. 38, 2 (Winter 1995): 255-65.

89

Hair, Donald S. Tennyson’s Language. Toronto: U of Toronto P, 1992.

90

Hilton, Nelson. “Tennyson’s ‘Tears’: idle, idol, idyl.” Essays in Criticism, vol. 35 (July 1985): 223-37.

91

Hunt, John Dixon, ed. Tennyson: In Memoriam. London: Macmillan, 1970.

92

Hughes, Linda K. The Manyfaced Glass: Tennyson’s Dramatic Monologues. Columbus: Ohio UP, 1987.

93

Johnson, Christopher. “Speech and violence in Tennyson’s Maud.” Essays in Criticism, 47, 1 (Jan. 1997): 33-61.

94

Jordan, Elaine. Alfred Tennyson. Cambridge: Cambridge UP, 1998.

95

Joseph, Gerhard. Tennyson and the Text: The Weaver’s Shuttle. Cambridge: Cambridge UP, 1992.

96

Jump, John D., ed. Tennyson: The Critical Heritage. London: Routledge, 1967.

97

Mansell, D. “Displacing Hallam’s tomb in Tennyson’s In Memoriam.” Victorian Poetry, 36, 1 (1998): 97-112.

98

Martin, Robert Bernard. Tennyson: The Unquiet Heart. Oxford: Clarendon P, 1980.

99

Ricks, Christopher. Tennyson. London: Macmillan, 1972.

100

Rowlinson, Matthew. Tennyson’s Fixations: Psychoanalysis and the Topics of the Early Poetry. Charlottesville: UP of Virginia, 1994.

101

Shaw, Marion. Alfred Lord Tennyson. Hemel Hempstead: Harvester Wheatsheaf, 1988.

102

Shaw, W. David. Tennyson’s Style. Ithaca: Cornell UP, 1976.

103

Sinfield, Alan. Alfred Tennyson. Oxford: Blackwell, 1986.

104

—. The Language of Tennyson’s In Memoriam. Oxford: Blackwell, 1971.

105

Stott, Rebecca, ed. Alfred Tennyson: A Critical Reader. Harlow: Longman, 1997.

106

Thomson, Alastair W. The Poetry of Tennyson. London: Routledge, 1986.

107

Tucker, Herbert F, ed. Critical Essays on Alfred Lord Tennyson. New York: G. K. Hall, 1993.

108

—. Tennyson and the Doom of Romanticism. Cambridge: Harvard UP, 1988.

Robert Browning (1812-1889)

109

Bloom, Harold, ed. Robert Browning: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1980.

110

Bristow, Joseph. Robert Browning. New York: St. Martin’s P, 1991.

111

Brugière, Bernard. L’Univers imaginaire de Robert Browning. Paris : Klincksieck, 1979.

112

—. « Le déclin de la lumière grecque : une analyse du Cleon de Browning ». Études Anglaises, n° 4 (octobre-décembre 1979).

113

De Ryals, Clyde. Browning’s Later Poetry, 1871-1889. Ithaca: Cornell UP, 1975.

114

De Vane, W. C. A Browning Handbook. New York: Appleton-Century-Crofts, 1955.

115

Drew, Philip. The Poetry of Robert Browning: A Critical Introduction. London: Methuen, 1970.

116

Gibson, Mary Ellis, ed. Critical Essays on Robert Browning. New York: G.K. Hall, 1992.

117

—. History and the Prism of Art: Browning’s Poetic Experiments. Columbus: Ohio State UP, 1987.

118

Hassett, Constance, W. Elusive Self in the Poetry of Robert Browning. Columbus: Ohio UP, 1982.

119

Hawlin, Stefan. Complete Critical Guide to Robert Browning. London: Routledge, 2001.

120

Karlin, Daniel. Browning’s Hatreds. Oxford: Oxford UP, 1995.

121

— and John Woolford. Robert Browning. Harlow: Longman, 1996.

122

King, Roma A. The Bow and the Lyre. Ann Arbor: The U of Michigan P, 1964.

123

—. The Focusing Artifice. Columbus: Ohio UP, 1968.

124

Little, M. Essays on Robert Browning. Haskell House, 1974.

125

Melchiori, B. Browning’s Poetry of Reticence. Edinburgh and London: Oliver and Boyd, 1968.

126

St. George, E.A.W. Browning and Conversation. Basingstoke: Macmillan, 1993.

127

Scoffman, Nachum. There is no Truer Truth: The Musical Aspects of Browning’s Poetry. Westport CT: Greenwood, 1991.

128

Shaw, W. David. The Dialectical Temper: The Rhetorical Art of Robert Browning. Ithaca: Cornell UP, 1968.

129

Shroyer, Richard J. and Collins Thomas J. A Concordance to the Poems and Plays of Robert Browning. New York: AMS, 1996.

130

Slinn, E. Warwick. Browning and the Fictions of Identity. Basingstoke: Macmillan, 1982.

131

Tucker, Herbert F. Browning’s Beginnings: The Art of Disclosure. Minneapolis: U of Minnesota P, 1980.

132

—. “Epiphany and Browning: character made manifest”. PMLA 107 (1992): 1208-21.

133

—. “Wanted dead or alive: Browning’s Historicism”. Victorian Studies, vol. 38 (1994): 25-39.

George Meredith (1828-1909)

134

Bartlett, Phyllis. George Meredith. London: Longmans Green, 1963.

135

Bogner, Delmar. “The sexual side of Meredith’s poetry”. Victorian Poetry 8 (1970): 107-25.

136

Comstock, Cath. “Speak, and I see the side-lie of a truth: The problematics of truth in Meredith’s Modern Love”. Victorian Poetry 25 (1987): 129-41.

137

Crunden, Patricia. “The Woods of Westermain”. Victorian Poetry 25 (1967): 265-82.

138

Fletcher, Pauline. “‘Trifles light as air’ in Meredith’s Modern Love”. Victorian Poetry 34 (1996): 87-99.

139

Kelvin, Norman. A Troubled Eden: Nature and Society in the Works of George Meredith. Edinburgh and London: Oliver and Boyd, 1961.

140

Kozicki, Henry. “The ‘Unholy Battle’ with the other in George Meredith’s Modern Love”. Papers on Language and Literature 23 (1987): 142-60.

141

Lund, Michael. “Space and spiritual crisis in Meredith’s Modern Love”. Victorian Poetry 16 (1978): 376-382.

142

Ostrom, Hans. “The disappearance of tragedy in Meredith’s Modern Love”. Victorian Newsletter 63 (Spring 1983): 26-30.

143

Photiadès, Constantin. George Meredith. Paris : Armand Colin, 1910.

144

Priestley, J. B. George Meredith. London: Macmillan, 1927.

145

Sassoon, Siegfried. Meredith. New York: The Viking P, 1948.

146

Schmidt, Paul H. “‘The faint thin line’: Temporal and Linguistic Discontinuity in Modern Love”. Auto/Biography Studies 7 (Spring 1992): 82-106.

147

Sencourt, Robert E. The Life of George Meredith. New York: Charles Scribner’s Sons, 1929.

148

Trevelyan, G. Macaulay. Poetry and Philosophy in George Meredith. London: Constable, 1907.

149

Tucker, Cynthia Grant. “Meredith’s broken laurel: Modern Love and the Renaissance sonnet tradition”. Victorian Poetry 10 (1972): 351-65.

150

Watt, Stephen. “Neurotic responses to a failed marriage: George Meredith’s Modern Love”. Mosaic: A Journal for the Interdisciplinary Study of Literature 17 (1984): 49-63.

151

Wolff, L. George Meredith: poète et romancier. Paris: Payot, 1924.

Dante Gabriel Rossetti (1828-1882)

152

Ainsworth, Maryann Wynn. Dante Gabriel Rossetti and the Double Work of Art. New Haven: Yale UP, 1976.

153

Clifford, David and Laurence Roussillon, eds. Outsiders Looking in. The Rossettis Then and Now. London: Anthem Press, 2003.

154

Doughty, Oswald. A Victorian Romantic: Dante Gabriel Rossetti. Oxford: Oxford UP, 1949.

155

McGann, Jerome. Dante Gabriel Rossetti and the Game That Must Be Lost. New Haven: Yale UP, 2000.

156

—. “Dante Gabriel Rossetti and the Betrayal of Truth”, Victorian Poetry 26 (1988): 339-361.

157

Riede, David G. Dante Gabriel Rossetti and the Limits of Victorian Vision. Ithaca: Cornell UP, 1983.

158

—. Dante Gabriel Rossetti Revisited. New York: Twayne, 1992.

159

Savarit, J. Tendances mystiques et ésotériques chez Dante Gabriel Rossetti. Paris : Didier, 1961.

Algernon Charles Swinburne (1837-1909)

160

Aquien, Pascal. Éd. et trad. Algernon Charles Swinburne. Poèmes choisis (éd. bilingue). Paris : Corti, 1990.

161

Clements, Patricia. Baudelaire and the English Tradition. Princeton: Princeton UP, 1985.

162

Fuller, Jean O. Swinburne, A Critical Biography. London: Chatto and Windus, 1968.

163

Harrison, Antony H. Swinburne’s Medievalism: A Study in Victorian Love Poetry. Baton Rouge: Louisiana State UP, 1988.

164

—. “Swinburne’s craft of pure expression”. Victorian Newsletter 51: 16-20.

165

Henderson, Philip. Swinburne: The portrait of a Poet. London: Routledge and Kegan Paul, 1974.

166

Hyder, Clyde K. Swinburne: The Critical Heritage. New York: Barnes and Noble, 1978.

167

Lafourcade, George. Swinburne: A Literary Biography. London: Bell, 1932.

168

Louis, Margot K. Swinburne and his Gods. Montreal: McGill-Queen’s UP, 1990.

169

McGann, Jerome J. Swinburne: An Experiment in Criticism. Chicago: U of Chicago P, 1972.

170

Morgan, Thaïs E. “Swinburne’s Dramatic Monologues: Sex and Ideology”. Victorian Poetry, 22 (1984): 175-95.

171

Peters, Robert L. “Algernon Charles Swinburne and the use of the integral detail”. Pre-raphaelitism: A Collection of Critical Essays. Ed. James Shambrook. Chicago: U of Chicago P (1974): 206-219.

172

Porée, Marc. « De l’espace en poésie : le cas Swinburne ». L’Espace littéraire dans la littérature et la culture anglosaxonnes. Éd. Bernard Brugière, Paris : PU de la Sorbonne Nouvelle (1995) : 189-199.

173

Rooksby, Rikky and Nicholas Shrimpton, eds. The Whole Music of Passion: New Essays on Swinburne. Aldershot: Scholar P, 1993.

174

— A. C. Swinburne: A Poet’s Life. Cambridge: Cambridge UP, 1997.

175

Walder, Anne. Swinburne’s Flowers of Evil, Baudelaire’s Influence on “Poems and Ballads, First Series”. Uppsala: Uppsala UP, 1976.

Thomas Hardy (1840-1928)

176

Armstrong, Tim. Haunted Hardy: Poetry, History, Memory. Basingstoke: Palgrave, 2000.

177

Austin, Linda M. “Reading depression in Hardy’s ‘Poems of 1912-13’” Victorian Poetry 36 (1998): 1-15.

178

Brown, Joanna Cullen. A Journey into Thomas Hardy’s Poetry. London: Allison and Busby, 1989.

179

Das, Manas Mukul. Thomas Hardy, Poet of Tragic Vision. Basingstoke: Macmillan, 1999.

180

Davie, Donald. Thomas Hardy and British Poetry. London: Routledge and Kegan Paul, 1973.

181

Gibson, James and Trevor Johnson, eds. Thomas Hardy. Poems. A Casebook. Basingstoke: Macmillan, 1979.

182

Gibson, James. “Thomas Hardy’s poetry: poetic apprehension and poetic method”, Celebrating Thomas Hardy: Insights and Appreciations, ed. Charles P. Pettit. Basingstoke: Macmillan, 1996.

183

Green, Brian. Hardy’s Lyrics: Pearls of Pity. Basingstoke: Macmillan, 1996.

184

Hardy, Barbara. Thomas Hardy: Imagining Imagination; Hardy’s Poetry and Fiction. London: Athlone P, 2000.

185

Joh, Byungwa. Thomas Hardy’s Poetry: a Jungian Perspective. Bern: Peter Lang, 2000.

186

Lucas, J. “‘Beginning again’: Hardy’s Wessex Poems” Thomas Hardy Journal, 14, n° 2 (1998): 52-64.

187

Marsden, Kenneth. The Poems of Thomas Hardy: A Critical Introduction. London: Athlone P, 1969.

188

Mesey, R. “An eyelid’s soundless blink: the poetry of Thomas Hardy” Yale Review 87, n° 1 (1999): 1-19.

189

Neil, Edward. “Back to the future: Hardy, poetry, theory, aporia” Victorian Poetry 36 (1998): 75-95.

190

Orel, Harold, ed. Critical Essays on Thomas Hardy’s Poetry. London: G. K. Hall (“Critical Essays on British Literature”), 1995.

191

Paulin, Paul. Thomas Hardy: the Poetry of Perception. Basingstoke: Macmillan, 1975.

192

Pinion, F. B. A Commentary on the Poems of Thomas Hardy. Basingstoke: Macmillan, 1976.

193

Taylor, Dennis. Hardy’s Meters and Victorian Prosody. Oxford: Clarendon P, 1988.

194

—. Hardy’s Poetry, 1860-1928. Basingstoke: Macmillan, 1989.

Gerard Manley Hopkins (1844-1889)

195

Bottrall, Margaret. Gerard Manley Hopkins. Poems: A Casebook. London: Macmillan, 1975.

196

Brown, Daniel. Hopkins’s Idealism: Philosophy, Physics, Poetry. Oxford: Clarendon P, 1997.

197

Dunne, Tom, ed. Gerard Manley Hopkins: A Comprehensive Bibliography. Oxford: Oxford UP, 1976.

198

Ellis, Virginia Ridley. The Language of Mystery. Columbia and London: U of Missouri P, 1991.

199

Ellrodt, Robert. « Grandeur et misère de G. M. Hopkins ». Cahiers du Sud (XXXXIII), n° 306 : 272-89.

200

Fennell, Francis L., ed. Rereading Hopkins: Selected New Essays. Victoria: U of Victoria P, 1996.

201

Gallet, René. Gerard Manley Hopkins ou l’excès de présence. Paris : FAC, 1984.

202

Gardner, W. H. Gerard Manley Hopkins. A Study of Poetic Idiosyncrasy in Relation to Poetic Tradition. London: Martin Secker and Warburg, 1948.

203

Harris, Daniel A. Inspirations Unbidden: The “terrible” Sonnets of Gerard Manley Hopkins. Berkeley: U of California P, 1982.

204

Hollaham Eugene, ed. Gerard Manley Hopkins and Critical Discourse. New York: AMS P, 1993.

205

Mariani, Paul. A Commentary on the Complete Poems of Gerard Manley Hopkins. Ithaca and London: Cornell UP, 1970.

206

Martin, Robert Bernard. Gerard Manley Hopkins: A very Private Life. London: HarperCollins, 1991.

207

Millroy, James. The Language of Gerard Manley Hopkins. London: Andre Deutsch, 1977.

208

Peters, William A. M. Gerard Manley Hopkins: A Critical Essay Towards the Understanding of his Poetry. (1948). Oxford: Blackwell, 1970.

209

Ritz, Jean-Georges. Le Poète Gerard Manley Hopkins. Sa vie et son œuvre. Paris: Didier, 1963.

210

—. Gerard Manley Hopkins, Poèmes. Paris : Aubier-Montaigne, 1980.

211

Schneider, Elizabeth. The Dragon in the Gate: Studies in the Poetry of Gerard Manley Hopkins. Berkeley and Los Angeles: U of California P, 1968.

212

Sprinker, Michael. A Counterpoint of Dissonance: The Aesthetics and Poetry of Gerard Manley Hopkins. Baltimore: The Johns Hopkins UP, 1980.

213

Volsik, Paul. The Poems of Gerard Manley Hopkins. Paris: Didier Érudition, 1996.

214

Watson, J. R. The Poetry of Gerard Manley Hopkins. Harmondsworth: Penguin, 1987.

215

White, Norman. Hopkins: A Literary Biography. Oxford: Clarendon P, 1992.

216

Zaniello, Tom. Hopkins in the Age of Darwin. Iowa City: U of Iowa P, 1988.

Poètes importants ne faisant pas l’objet d’un article dans le volume

Elizabeth Barrett Browning (1806-1861)

217

Leighton, Angela. Elizabeth Barrett Browning. Bloomington: Indiana UP, 1986.

218

Lewis, Linda M. Elizabeth Barrett Browning’s Spiritual Progress: Face to Face with God. Columbia: MI, 1998.

219

Mermin, Dorothy. Elizabeth Barrett Browning: The Origins of a New Poetry. Chicago: U of Chicago P, 1989.

220

Stone, Marjorie. Elizabeth Barrett Browning. New York: St. Martin’s P, 1995.

Arthur Hugh Clough (1819-1860)

221

Biswas, Robindra Kumag. Arthur Hugh Clough: Towards a Reconsideration. Oxford: Clarendon P, 1972.

222

Gatrell, Simon. “Histoires de voyages: the Italian poems of Arthur Hugh Clough”, Creditable Warriors, 1830-1876, ed. S. Gatrell, English Literature and Wider World, vol. 3, London: Ashfield (1990), 159-72.

223

Greenberger, Evelyn Barish. Arthur Hugh Clough: The Growth of a Poet’s Mind. Cambridge: Harvard UP, 1970.

224

Tinko, Michael. Innocent Victorian: The Satiric Poetry of Arthur Hugh Clough. Athens: Ohio UP, 1966.

225

Veyriras, Paul. Arthur Hugh Clough (1819-1861). Paris : Didier, 1964.

Matthew Arnold (1822-1888)

226

Bloom, Harold, ed. Matthew Arnold. Auckland: Chelsea House P, 1987.

227

Bonnerot, Louis. Matthew Arnold, Poète : Essai de Biographie psychologique. Paris : Didier, 1947.

228

Buckler, William Earl, ed. On the Poetry of Matthew Arnold: Essays in Critical Reconstruction. New York: New York UP, 1982.

229

Collini, Stefan. Arnold. Oxford: Oxford UP, 1988.

230

Culler, A. Dwight. Imaginative Reason: The Poetry of Matthew Arnold. New Haven: Yale UP, 1966.

231

Grob, Alan. A Longing like Despair: Arnold’s Poetry of Pessimism. Newark: U of Delaware P, 2002.

232

Hamilton, Ian. A Gift Imprisoned: The Poetic Life of Matthew Arnold. London: Bloomsbury, 1998.

233

James, D. G. Matthew Arnold and the Decline of English Romanticism. Oxford: Clarendon P, 1961.

234

Johnson, W. S. The Voices of Matthew Arnold: An Essay in Criticism. New Haven: Yale UP, 1961.

235

Pratt, Linda Ray. Matthew Arnold Revisited. New York: Twayne P, 2000.

236

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