2004
Études anglaises
Bibliographie
Bibliographie
Contexte et ouvrages généraux
Altick, Richard. Writers, Readers, and Occasions: Selected Essays on Victorian Literature and Life. Colombus: Ohio State UP, 1989.
Amigoni, David. Victorian Biography: Intellectuals and the Ordering of Discourse. London: Harvester, 1993.
Auerbarch, Emily. Women and the Demon: the Life of a Victorian Myth. Cambridge Mass.: Harvard UP, 1982.
Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Oxford UP, 1996.
Boos, Florence S., ed. History and Community: Essays in Victorian Medievalism. New York: Garland, 1992.
Bowler, Peter J. The Invention of Progress: the Victorians and the Past. Oxford: Blackwell, 1989.
Brantlinger, Patrick. Rule of Darkness: British Literature and Imperialism, 1830-1914. Ithaca, New York: Cornell UP, 1988.
Buckley, Jerome H. The Victorian Temper: A Study in Literary Culture. Cambridge Mass.: Harvard UP, 1951.
Bullen, J. B. The Myth of the Renaissance in Nineteenth-Century Writing. Oxford: Oxford UP, 1994.
—. The Pre-Raphaelite Body. Oxford: Clarendon P, 1998.
Butler, Lance St John. Victorian Doubt: Literary and Cultural Discourses. London: Harvester, 1990.
Chandler, Alice. A Dream of Order: The Medieval Ideal in Nineteenth-Century English Literature. London: Routledge and Kegan Paul, 1971.
Christ, Carol T. and John O. Jordan, eds. Victorian Literature and the Visual Imagination. Berkeley: U of California P, 1995.
Culler, A. Dwight. The Victorian Mirror of History. New Haven: Yale UP, 1986.
Dale, Peter Allan. In Pursuit of a Scientific Culture: Science, Art and Society in the Victorian Age. Madison: U of Wisconsin P, 1989.
Davis, R.W. and Helmstadter, eds. Religion and Irreligion in Victorian Society: Essays in Honor of R. K. Webb. London: Routledge, 1992.
Dijkstra, Bram. Fantasies of Feminine Evil in Fin-de Siècle Culture. Oxford: Oxford UP, 1986.
Fraser, Hilary. The Victorians and Renaissance Italy. Oxford: Blackwell, 1992.
Hardman, Michael. Six Victorian Thinkers in Context. Manchester: Manchester UP, 1990.
Houghton, Walter. The Victorian Frame of Mind: 1830-1870. New Haven: Yale UP, 1957.
John, Juliet. Rethinking Victorian Culture. Basingstoke: Macmillan, 1999.
Lambourne, Lionel. The Aesthetic Movement. London: Phaidon, 1996.
Le Quesne, A. L., et al. Victorian Thinkers: Carlyle, Ruskin, Arnold, Morris. Oxford: Oxford UP, 1993.
Lecercle, Jean-Jacques. Philosophy of Nonsense: The Intuitions of Victorian Nonsense Literature. London: Routledge, 1994.
Miller, J. Hillis. The Disappearance of God: Five Nineteenth-Century Writers. Cambridge: The Belknap P of Harvard UP, 1963.
Morgan, Thais E., ed. Victorian Sages and Cultural Discourse: Renegotiating Gender and Power. New Brunswick: Rutgers UP, 1990.
Morse, David. High Victorian Culture. Basingstoke: Macmillan, 1993.
Poovey, Mary. Making a Social Body: British Cultural Formation, 1830-1864. U of Chicago P, 1995.
Turner, Franck. The Greek Heritage in Victorian Britain. New Haven: Yale UP, 1981.
Willey, Basil. Nineteenth Century Studies: Coleridge to Matthew Arnold. London: Chatto and Windus, 1949.
—. More Nineteenth Century Studies: A Group of Honest Doubters. London: Chatto and Windus, 1956.
—. Darwin and Butler: Two Versions of Evolution. London: Chatto and Windus, 1960.
Études générales sur la poésie victorienne
Armstrong, Isobel, ed. The Major Four Victorian Poets: Reconsiderations. London: Routledge, 1969.
—. Victorian Poetry: Poetry, Politics, Poetics. London: Routledge, 1993.
Armstrong, Isobel and Virginia Blain, eds. Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900. New York: St. Martin’s P, 1999.
Auden, W. H. Nineteenth-Century Minor Poets. [1966]. London: Faber, 1967.
Blank, G. Kim and Margot K. Louis, eds. Influence and Resistance in Nineteenth-Century British Poetry. Basingstoke: Macmillan, 1993.
Bradbury, Malcolm and David Palmer, eds. Victorian Poetry. London: Edward Arnold, 1972.
Bristow, Joseph, ed. The Cambridge Companion to Victorian Poetry. Cambridge: Cambridge UP, 2000.
Brook, Stopford A. Four Victorian Poets: A Study of Clough, Arnold, Rossetti, Morris. New York: Russell and Russell, 1964.
Bruckmuller-Genlot, Danielle. Les Préraphaélites. Paris : Armand Colin, 1994.
Campbell, Matthew. Rhythm and Will in Victorian Poetry. Cambridge: Cambridge UP, 1999.
Christ, Carol T. The Finer Optic: The Aesthetic of Particularity in Victorian Poetry. New Haven: Yale UP, 1975.
—. Victorian and Modern Poetics. Chicago: U of Chicago P, 1984.
Colville, Derek. Victorian Poetry and the Romantic Religion. New York: State U of New York P, 1970.
Dellamora, Richard. Masculine Desires: The Sexual Politics of Victorian Aestheticism. Chapel Hill: U of North Carolina P, 1990.
Edmond, Rod. Affairs of the Hearth: Victorian Poetry and Domestic Narrative. London: Routledge, 1988.
Elfenbein, Andrew. Byron and the Victorians. Cambridge: Cambridge UP, 1995.
Faas, Ekbert. Retreat into the Mind: Victorian Poetry and the Rise of Psychiatry. Princeton: Princeton UP, 1988.
Fletcher, Pauline. Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry. Princeton: Princeton UP, 1983.
Gallet, René. Romantisme et postromantisme de Coleridge à Hardy: nature et surnature. Paris : L’Harmattan, 1996.
Griffiths, Eric. The Printed Voice of Victorian Poetry. Oxford: Oxford UP, 1989.
Gumey, Stephen. British Poetry of the Nineteenth Century. New York: Twayne P, 1993.
Harrison, Antony H. Victorian Poets and the Politics of Culture: Discourse and Ideology. Charlottesville: UP of Virginia, 1998.
—. Victorian Poets and Romantic Poems: Intertextuality and Ideology. Charlottesville: UP of Virginia, 1990.
Honninghausen, Lothar. The Symbolist Tradition in English Literature: A Study of Pre-Raphaelitism and Fin de Siècle. [1971]. Cambridge: Cambridge UP, 1988.
Hough, Graham. The Last Romantics. London: Duckworth, 1949.
Howe, Elizabeth. The Dramatic Monologue. New York: Twayne, 1996.
Hunt, John. The Pre-Raphaelite Imagination, 1849-1900. Lincoln: U of Nebraska P, 1968.
Johnson, E. D. H. The Alien Vision of Victorian Poetry. Hamden: Archon Books, 1963.
Langbaum, Robert. The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. New York: Random House, 1957.
Lavabre, Simone. La Mélancolie et la poésie victorienne. Atelier de Reproduction des Thèses, Université de Lille III, 1981.
Leighton, Angela, ed. Victorian Women Poets: A Critical Reader. Oxford: Blackwell, 1996.
—. Victorian Women Poets: Writing Against the Heart. Charlottesville: UP of Virginia, 1992.
Lootens, Tricia. Lost Saints: Silence, Gender, and Victorian Literary Canonization. Charlottesville: UP of Virginia, 1996.
Lucas, John. England and Englishness. London: Hogarth P, 1990.
McGann, Jerome, J. ed. Victorian Connections. Charlottesville: UP of Virginia, 1989.
McSweeney, Kerry. Supreme Attachments: Studies in Victorian Love Poetry. Aldershot: Ashgate, 1998.
Mermin, Dorothy. The Audience in the Poem: Five Victorian Poets. New Brunswick: Rutgers UP, 1983.
Miller, John Hillis. The Linguistic Moment: From Wordsworth to Stevens. Princeton: Princeton UP, 1985.
Morgan, Thaïs E. « Theorizing Victorian poetry: an introduction ». Victorian Studies 29 (1991): 329-32.
Prins, Yopie. Victorian Sappho. Princeton: Princeton UP, 1999.
Psomiades, Kathy A. Beauty’s Body: Femininity and Representation in British Aestheticism. Stanford: Stanford UP, 1997.
Richardson, James. Vanishing Lives, Style and Self in Tennyson, D.G. Rossetti, Swinburne and Yeats. Charlottesville: UP of Virginia, 1988.
Shaw, W. David. The Lucid Veil: Poetic Truth in the Victorian Age. London: Athlone P, 1987.
Sinfield, Alan. Dramatic Monologue. London: Methuen, 1977.
Slinn, E. Warwick. The Discourse of Self in Victorian Poetry. Charlottesville: UP of Virginia, 1991.
Sussman, Herbert L. Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature. Cambridge: Cambridge UP, 1995.
Tennyson, G. B. Victorian Devotional Poetry: The Tractarian Mode. Berkeley: U of California P, 1981.
Thesing, William B. The London Muse: Victorian Poetic Responses to the City. Athens: U of Georgia P, 1982.
Wagner, Jennifer A. Revisionary Poetics and the Nineteenth-Century Sonnet. London: Associated UP, 1996.
Ward, John. Powell. The English Line: Poetry of the Unpoetic from Wordsworth to Larkin. Basingstoke: Blackwell, 1991.
Poètes faisant l’objet d’un article dans le volume
Alfred Tennyson (1809-1892)
Baker, Arthur, Ernest. A Concordance to the Poetical and Dramatic Works of Alfred, Lord Tennyson, 1830-1868. London: Routledge, 1967.
Beetz, Kirk K. Tennyson: A Bibliography, 1827-1982. Harvard: Harvard UP, 1984.
Buckley, Jerome H. Tennyson: The Growth of a Poet. Cambridge: Cambridge UP, 1967.
Collins, Philip, ed. Tennyson: Seven Essays. London: Macmillan, 1992.
Culler, A. Dwight. The Poetry of Tennyson. New Haven: Yale UP, 1977.
Gerhard, Joseph. “Why are they saying such bad things about Victorian poetry? Recent Tennyson criticism.” Victorian Studies; vol. 38, 2 (Winter 1995): 255-65.
Hair, Donald S. Tennyson’s Language. Toronto: U of Toronto P, 1992.
Hilton, Nelson. “Tennyson’s ‘Tears’: idle, idol, idyl.” Essays in Criticism, vol. 35 (July 1985): 223-37.
Hunt, John Dixon, ed. Tennyson: In Memoriam. London: Macmillan, 1970.
Hughes, Linda K. The Manyfaced Glass: Tennyson’s Dramatic Monologues. Columbus: Ohio UP, 1987.
Johnson, Christopher. “Speech and violence in Tennyson’s Maud.” Essays in Criticism, 47, 1 (Jan. 1997): 33-61.
Jordan, Elaine. Alfred Tennyson. Cambridge: Cambridge UP, 1998.
Joseph, Gerhard. Tennyson and the Text: The Weaver’s Shuttle. Cambridge: Cambridge UP, 1992.
Jump, John D., ed. Tennyson: The Critical Heritage. London: Routledge, 1967.
Mansell, D. “Displacing Hallam’s tomb in Tennyson’s In Memoriam.” Victorian Poetry, 36, 1 (1998): 97-112.
Martin, Robert Bernard. Tennyson: The Unquiet Heart. Oxford: Clarendon P, 1980.
Ricks, Christopher. Tennyson. London: Macmillan, 1972.
Rowlinson, Matthew. Tennyson’s Fixations: Psychoanalysis and the Topics of the Early Poetry. Charlottesville: UP of Virginia, 1994.
Shaw, Marion. Alfred Lord Tennyson. Hemel Hempstead: Harvester Wheatsheaf, 1988.
Shaw, W. David. Tennyson’s Style. Ithaca: Cornell UP, 1976.
Sinfield, Alan. Alfred Tennyson. Oxford: Blackwell, 1986.
—. The Language of Tennyson’s In Memoriam. Oxford: Blackwell, 1971.
Stott, Rebecca, ed. Alfred Tennyson: A Critical Reader. Harlow: Longman, 1997.
Thomson, Alastair W. The Poetry of Tennyson. London: Routledge, 1986.
Tucker, Herbert F, ed. Critical Essays on Alfred Lord Tennyson. New York: G. K. Hall, 1993.
—. Tennyson and the Doom of Romanticism. Cambridge: Harvard UP, 1988.
Robert Browning (1812-1889)
Bloom, Harold, ed. Robert Browning: A Collection of Critical Essays. Englewood Cliffs: Prentice Hall, 1980.
Bristow, Joseph. Robert Browning. New York: St. Martin’s P, 1991.
Brugière, Bernard. L’Univers imaginaire de Robert Browning. Paris : Klincksieck, 1979.
—. « Le déclin de la lumière grecque : une analyse du Cleon de Browning ». Études Anglaises, n° 4 (octobre-décembre 1979).
De Ryals, Clyde. Browning’s Later Poetry, 1871-1889. Ithaca: Cornell UP, 1975.
De Vane, W. C. A Browning Handbook. New York: Appleton-Century-Crofts, 1955.
Drew, Philip. The Poetry of Robert Browning: A Critical Introduction. London: Methuen, 1970.
Gibson, Mary Ellis, ed. Critical Essays on Robert Browning. New York: G.K. Hall, 1992.
—. History and the Prism of Art: Browning’s Poetic Experiments. Columbus: Ohio State UP, 1987.
Hassett, Constance, W. Elusive Self in the Poetry of Robert Browning. Columbus: Ohio UP, 1982.
Hawlin, Stefan. Complete Critical Guide to Robert Browning. London: Routledge, 2001.
Karlin, Daniel. Browning’s Hatreds. Oxford: Oxford UP, 1995.
— and John Woolford. Robert Browning. Harlow: Longman, 1996.
King, Roma A. The Bow and the Lyre. Ann Arbor: The U of Michigan P, 1964.
—. The Focusing Artifice. Columbus: Ohio UP, 1968.
Little, M. Essays on Robert Browning. Haskell House, 1974.
Melchiori, B. Browning’s Poetry of Reticence. Edinburgh and London: Oliver and Boyd, 1968.
St. George, E.A.W. Browning and Conversation. Basingstoke: Macmillan, 1993.
Scoffman, Nachum. There is no Truer Truth: The Musical Aspects of Browning’s Poetry. Westport CT: Greenwood, 1991.
Shaw, W. David. The Dialectical Temper: The Rhetorical Art of Robert Browning. Ithaca: Cornell UP, 1968.
Shroyer, Richard J. and Collins Thomas J. A Concordance to the Poems and Plays of Robert Browning. New York: AMS, 1996.
Slinn, E. Warwick. Browning and the Fictions of Identity. Basingstoke: Macmillan, 1982.
Tucker, Herbert F. Browning’s Beginnings: The Art of Disclosure. Minneapolis: U of Minnesota P, 1980.
—. “Epiphany and Browning: character made manifest”. PMLA 107 (1992): 1208-21.
—. “Wanted dead or alive: Browning’s Historicism”. Victorian Studies, vol. 38 (1994): 25-39.
George Meredith (1828-1909)
Bartlett, Phyllis. George Meredith. London: Longmans Green, 1963.
Bogner, Delmar. “The sexual side of Meredith’s poetry”. Victorian Poetry 8 (1970): 107-25.
Comstock, Cath. “Speak, and I see the side-lie of a truth: The problematics of truth in Meredith’s Modern Love”. Victorian Poetry 25 (1987): 129-41.
Crunden, Patricia. “The Woods of Westermain”. Victorian Poetry 25 (1967): 265-82.
Fletcher, Pauline. “‘Trifles light as air’ in Meredith’s Modern Love”. Victorian Poetry 34 (1996): 87-99.
Kelvin, Norman. A Troubled Eden: Nature and Society in the Works of George Meredith. Edinburgh and London: Oliver and Boyd, 1961.
Kozicki, Henry. “The ‘Unholy Battle’ with the other in George Meredith’s Modern Love”. Papers on Language and Literature 23 (1987): 142-60.
Lund, Michael. “Space and spiritual crisis in Meredith’s Modern Love”. Victorian Poetry 16 (1978): 376-382.
Ostrom, Hans. “The disappearance of tragedy in Meredith’s Modern Love”. Victorian Newsletter 63 (Spring 1983): 26-30.
Photiadès, Constantin. George Meredith. Paris : Armand Colin, 1910.
Priestley, J. B. George Meredith. London: Macmillan, 1927.
Sassoon, Siegfried. Meredith. New York: The Viking P, 1948.
Schmidt, Paul H. “‘The faint thin line’: Temporal and Linguistic Discontinuity in Modern Love”. Auto/Biography Studies 7 (Spring 1992): 82-106.
Sencourt, Robert E. The Life of George Meredith. New York: Charles Scribner’s Sons, 1929.
Trevelyan, G. Macaulay. Poetry and Philosophy in George Meredith. London: Constable, 1907.
Tucker, Cynthia Grant. “Meredith’s broken laurel: Modern Love and the Renaissance sonnet tradition”. Victorian Poetry 10 (1972): 351-65.
Watt, Stephen. “Neurotic responses to a failed marriage: George Meredith’s Modern Love”. Mosaic: A Journal for the Interdisciplinary Study of Literature 17 (1984): 49-63.
Wolff, L. George Meredith: poète et romancier. Paris: Payot, 1924.
Dante Gabriel Rossetti (1828-1882)
Ainsworth, Maryann Wynn. Dante Gabriel Rossetti and the Double Work of Art. New Haven: Yale UP, 1976.
Clifford, David and Laurence Roussillon, eds. Outsiders Looking in. The Rossettis Then and Now. London: Anthem Press, 2003.
Doughty, Oswald. A Victorian Romantic: Dante Gabriel Rossetti. Oxford: Oxford UP, 1949.
McGann, Jerome. Dante Gabriel Rossetti and the Game That Must Be Lost. New Haven: Yale UP, 2000.
—. “Dante Gabriel Rossetti and the Betrayal of Truth”, Victorian Poetry 26 (1988): 339-361.
Riede, David G. Dante Gabriel Rossetti and the Limits of Victorian Vision. Ithaca: Cornell UP, 1983.
—. Dante Gabriel Rossetti Revisited. New York: Twayne, 1992.
Savarit, J. Tendances mystiques et ésotériques chez Dante Gabriel Rossetti. Paris : Didier, 1961.
Algernon Charles Swinburne (1837-1909)
Aquien, Pascal. Éd. et trad. Algernon Charles Swinburne. Poèmes choisis (éd. bilingue). Paris : Corti, 1990.
Clements, Patricia. Baudelaire and the English Tradition. Princeton: Princeton UP, 1985.
Fuller, Jean O. Swinburne, A Critical Biography. London: Chatto and Windus, 1968.
Harrison, Antony H. Swinburne’s Medievalism: A Study in Victorian Love Poetry. Baton Rouge: Louisiana State UP, 1988.
—. “Swinburne’s craft of pure expression”. Victorian Newsletter 51: 16-20.
Henderson, Philip. Swinburne: The portrait of a Poet. London: Routledge and Kegan Paul, 1974.
Hyder, Clyde K. Swinburne: The Critical Heritage. New York: Barnes and Noble, 1978.
Lafourcade, George. Swinburne: A Literary Biography. London: Bell, 1932.
Louis, Margot K. Swinburne and his Gods. Montreal: McGill-Queen’s UP, 1990.
McGann, Jerome J. Swinburne: An Experiment in Criticism. Chicago: U of Chicago P, 1972.
Morgan, Thaïs E. “Swinburne’s Dramatic Monologues: Sex and Ideology”. Victorian Poetry, 22 (1984): 175-95.
Peters, Robert L. “Algernon Charles Swinburne and the use of the integral detail”. Pre-raphaelitism: A Collection of Critical Essays. Ed. James Shambrook. Chicago: U of Chicago P (1974): 206-219.
Porée, Marc. « De l’espace en poésie : le cas Swinburne ». L’Espace littéraire dans la littérature et la culture anglosaxonnes. Éd. Bernard Brugière, Paris : PU de la Sorbonne Nouvelle (1995) : 189-199.
Rooksby, Rikky and Nicholas Shrimpton, eds. The Whole Music of Passion: New Essays on Swinburne. Aldershot: Scholar P, 1993.
— A. C. Swinburne: A Poet’s Life. Cambridge: Cambridge UP, 1997.
Walder, Anne. Swinburne’s Flowers of Evil, Baudelaire’s Influence on “Poems and Ballads, First Series”. Uppsala: Uppsala UP, 1976.
Thomas Hardy (1840-1928)
Armstrong, Tim. Haunted Hardy: Poetry, History, Memory. Basingstoke: Palgrave, 2000.
Austin, Linda M. “Reading depression in Hardy’s ‘Poems of 1912-13’” Victorian Poetry 36 (1998): 1-15.
Brown, Joanna Cullen. A Journey into Thomas Hardy’s Poetry. London: Allison and Busby, 1989.
Das, Manas Mukul. Thomas Hardy, Poet of Tragic Vision. Basingstoke: Macmillan, 1999.
Davie, Donald. Thomas Hardy and British Poetry. London: Routledge and Kegan Paul, 1973.
Gibson, James and Trevor Johnson, eds. Thomas Hardy. Poems. A Casebook. Basingstoke: Macmillan, 1979.
Gibson, James. “Thomas Hardy’s poetry: poetic apprehension and poetic method”, Celebrating Thomas Hardy: Insights and Appreciations, ed. Charles P. Pettit. Basingstoke: Macmillan, 1996.
Green, Brian. Hardy’s Lyrics: Pearls of Pity. Basingstoke: Macmillan, 1996.
Hardy, Barbara. Thomas Hardy: Imagining Imagination; Hardy’s Poetry and Fiction. London: Athlone P, 2000.
Joh, Byungwa. Thomas Hardy’s Poetry: a Jungian Perspective. Bern: Peter Lang, 2000.
Lucas, J. “‘Beginning again’: Hardy’s Wessex Poems” Thomas Hardy Journal, 14, n° 2 (1998): 52-64.
Marsden, Kenneth. The Poems of Thomas Hardy: A Critical Introduction. London: Athlone P, 1969.
Mesey, R. “An eyelid’s soundless blink: the poetry of Thomas Hardy” Yale Review 87, n° 1 (1999): 1-19.
Neil, Edward. “Back to the future: Hardy, poetry, theory, aporia” Victorian Poetry 36 (1998): 75-95.
Orel, Harold, ed. Critical Essays on Thomas Hardy’s Poetry. London: G. K. Hall (“Critical Essays on British Literature”), 1995.
Paulin, Paul. Thomas Hardy: the Poetry of Perception. Basingstoke: Macmillan, 1975.
Pinion, F. B. A Commentary on the Poems of Thomas Hardy. Basingstoke: Macmillan, 1976.
Taylor, Dennis. Hardy’s Meters and Victorian Prosody. Oxford: Clarendon P, 1988.
—. Hardy’s Poetry, 1860-1928. Basingstoke: Macmillan, 1989.
Gerard Manley Hopkins (1844-1889)
Bottrall, Margaret. Gerard Manley Hopkins. Poems: A Casebook. London: Macmillan, 1975.
Brown, Daniel. Hopkins’s Idealism: Philosophy, Physics, Poetry. Oxford: Clarendon P, 1997.
Dunne, Tom, ed. Gerard Manley Hopkins: A Comprehensive Bibliography. Oxford: Oxford UP, 1976.
Ellis, Virginia Ridley. The Language of Mystery. Columbia and London: U of Missouri P, 1991.
Ellrodt, Robert. « Grandeur et misère de G. M. Hopkins ». Cahiers du Sud (XXXXIII), n° 306 : 272-89.
Fennell, Francis L., ed. Rereading Hopkins: Selected New Essays. Victoria: U of Victoria P, 1996.
Gallet, René. Gerard Manley Hopkins ou l’excès de présence. Paris : FAC, 1984.
Gardner, W. H. Gerard Manley Hopkins. A Study of Poetic Idiosyncrasy in Relation to Poetic Tradition. London: Martin Secker and Warburg, 1948.
Harris, Daniel A. Inspirations Unbidden: The “terrible” Sonnets of Gerard Manley Hopkins. Berkeley: U of California P, 1982.
Hollaham Eugene, ed. Gerard Manley Hopkins and Critical Discourse. New York: AMS P, 1993.
Mariani, Paul. A Commentary on the Complete Poems of Gerard Manley Hopkins. Ithaca and London: Cornell UP, 1970.
Martin, Robert Bernard. Gerard Manley Hopkins: A very Private Life. London: HarperCollins, 1991.
Millroy, James. The Language of Gerard Manley Hopkins. London: Andre Deutsch, 1977.
Peters, William A. M. Gerard Manley Hopkins: A Critical Essay Towards the Understanding of his Poetry. (1948). Oxford: Blackwell, 1970.
Ritz, Jean-Georges. Le Poète Gerard Manley Hopkins. Sa vie et son œuvre. Paris: Didier, 1963.
—. Gerard Manley Hopkins, Poèmes. Paris : Aubier-Montaigne, 1980.
Schneider, Elizabeth. The Dragon in the Gate: Studies in the Poetry of Gerard Manley Hopkins. Berkeley and Los Angeles: U of California P, 1968.
Sprinker, Michael. A Counterpoint of Dissonance: The Aesthetics and Poetry of Gerard Manley Hopkins. Baltimore: The Johns Hopkins UP, 1980.
Volsik, Paul. The Poems of Gerard Manley Hopkins. Paris: Didier Érudition, 1996.
Watson, J. R. The Poetry of Gerard Manley Hopkins. Harmondsworth: Penguin, 1987.
White, Norman. Hopkins: A Literary Biography. Oxford: Clarendon P, 1992.
Zaniello, Tom. Hopkins in the Age of Darwin. Iowa City: U of Iowa P, 1988.
Poètes importants ne faisant pas l’objet d’un article dans le volume
Elizabeth Barrett Browning (1806-1861)
Leighton, Angela. Elizabeth Barrett Browning. Bloomington: Indiana UP, 1986.
Lewis, Linda M. Elizabeth Barrett Browning’s Spiritual Progress: Face to Face with God. Columbia: MI, 1998.
Mermin, Dorothy. Elizabeth Barrett Browning: The Origins of a New Poetry. Chicago: U of Chicago P, 1989.
Stone, Marjorie. Elizabeth Barrett Browning. New York: St. Martin’s P, 1995.
Arthur Hugh Clough (1819-1860)
Biswas, Robindra Kumag. Arthur Hugh Clough: Towards a Reconsideration. Oxford: Clarendon P, 1972.
Gatrell, Simon. “Histoires de voyages: the Italian poems of Arthur Hugh Clough”, Creditable Warriors, 1830-1876, ed. S. Gatrell, English Literature and Wider World, vol. 3, London: Ashfield (1990), 159-72.
Greenberger, Evelyn Barish. Arthur Hugh Clough: The Growth of a Poet’s Mind. Cambridge: Harvard UP, 1970.
Tinko, Michael. Innocent Victorian: The Satiric Poetry of Arthur Hugh Clough. Athens: Ohio UP, 1966.
Veyriras, Paul. Arthur Hugh Clough (1819-1861). Paris : Didier, 1964.
Matthew Arnold (1822-1888)
Bloom, Harold, ed. Matthew Arnold. Auckland: Chelsea House P, 1987.
Bonnerot, Louis. Matthew Arnold, Poète : Essai de Biographie psychologique. Paris : Didier, 1947.
Buckler, William Earl, ed. On the Poetry of Matthew Arnold: Essays in Critical Reconstruction. New York: New York UP, 1982.
Collini, Stefan. Arnold. Oxford: Oxford UP, 1988.
Culler, A. Dwight. Imaginative Reason: The Poetry of Matthew Arnold. New Haven: Yale UP, 1966.
Grob, Alan. A Longing like Despair: Arnold’s Poetry of Pessimism. Newark: U of Delaware P, 2002.
Hamilton, Ian. A Gift Imprisoned: The Poetic Life of Matthew Arnold. London: Bloomsbury, 1998.
James, D. G. Matthew Arnold and the Decline of English Romanticism. Oxford: Clarendon P, 1961.
Johnson, W. S. The Voices of Matthew Arnold: An Essay in Criticism. New Haven: Yale UP, 1961.
Pratt, Linda Ray. Matthew Arnold Revisited. New York: Twayne P, 2000.
Riede, David G. Matthew Arnold and the Betrayal of Language. Charlottesville: UP of Virginia, 1988.
Trilling, Lionel. Matthew Arnold. New York: Meridian Books, 1955.
Warren, D. Anderson. Matthew Arnold and the Classical Tradition. Ann Arbor: U of Michigan P, 1988.
Christina Rossetti (1830-1894)
Arseneau, Mary, Anthony H. Harrison, and Lorraine Janzen Kooistra, eds. The Culture of Christina Rossetti: Female Poetics and Victorian Contexts. Athens: Ohio UP, 1999.
Harrison, Anthony H. Christina Rossetti in Context. Chapel Hill: U of North Carolina P, 1988.
Jones, Kathleen. “Learning Not to Be First”: The Life of Christina Rossetti. New York: St. Martin’s P, 1991.
Kent, David A., ed. The Achievement of Christina Rossetti. Ithaca: Cornell UP, 1987.
Marsh, Jan. Christina Rossetti: A Literary Biography. London: Jonathan Cape, 1994.
Paulin, Tom. “The cadence in the song: George Herbert and the greatness of Christina Rossetti”, TLS (January 18, 2002): 3-4.
Rosenblum, Dolores. Christina Rossetti: The Poetry of Endurance. Carbondale: Southern Illinois UP, 1986.
Woolf, Virginia. “I am Christina Rossetti”, The Common Reader. London: Woolf, 1949.