Mon compte |

Mon panier d'achats |

Ma bibliographie

Contacts |

Aide

· Accès distant · Mot de passe oublié

· Recherche avancée

Etudes anglaises
Klincksieck

I.S.B.N.sans
128 pages

p. 379 à 381
doi: en cours

Veille sur la revue

S'abonner à la revue

Vous consultez

Revue des revues

Tome 57 2004/3

Discipline > Revue > Sommaire > Article

Télécharger cet article en PDF

Revue des revues

American Literature. — Vol. 76, n˚ 1 (March 2004). S. ROBBINS : Periodizing Authorship, Characterizing Genre: Catharine Maria Sedgwick’s Benevolent Literacy Narratives. — C. GLENNEY BOGGS : Margaret Fuller’s American Translation. — S. WILSON : Melville and the Architecture of Antebellum Masculinity. — A. CARROLL : Protest and Affirmation: Composite Texts in the Crisis. — M. FARLAND : Gertrude Stein’s Brain Work. — A.L. BLAIR : Misreading The House of Mirth. — Vol. 76, n˚ 2 (June 2004). C. LEVANDER : “Let Her White Progeny Offset Her Dark One”: The Child and the Racial Politics of Nation Making. — N.C. REED : The Specter of Wall Street: “Bartleby, the Scrivener” and the Language of Commodities. — J. TIMBERMAN NEWCOMB : “The Housetop Sea”: Cityscape Verse and the Rise of Modern American Poetry. — J. PREBEL : Engineering Womanhood: The Politics of Rejuvenation in Gertrude Atherton’s Black Oxen. — N.W. JONES : Coming Out through History’s Hidden Love Letters in Absalom, Absalom! — B. LEE : Howl and Other Poems: Is There Old Left in These New Beats?

Anglia. — Vol. 122, n° 1 (2004). A. SCHMITT : Die Poetik des Aristoteles und ihre Neudeutung in der Dichtungstheorie des Secondo Cinquecento. — C. UHLIG : Shakespeare Between Antiquity and Modernity. A Theme of Aesthetics in Hegel and Cohen. — W. von KOPPENFELS : Urbaner Spott und sardonische Lache: Zur Horaz’schen Persona des Alexander Pope. — K. MERTEN : “To turn the gazer’s spirit into stone”: Deutsche und britische Medusen in der Repräsentationskrise des 19. Jahrhunderts. — S. MÜLLER : Apple Blossom and Pomegranate: Eavan Boland’s Mother-Daughter Story. — M. SCHMITZ-EMANS : Schreiben “nach Ovid”: Zu Thematik, Poetik und Textur der Lyrik Anthologie “After Ovid” (1994) im intertextuellen Zusammenhang moderner Metamorphose-Darstellungen.

The Eighteenth Century. — Vol. 43, n° 2 (Summer 2002). H. THOMPSON : Charlotte Lennox and the Agency of Romance. — L.H. WALKER : When Girls Read Rousseau: The Case of Madame Roland. — R. VALENZA : Editing the Self: David Hume’s Narrative Theory. — Y. LIU : The Jesuits and the Anti-Jesuits: The Two Different Connections of Leibniz with China.

English Studies. — Vol. 85, n° 1 (February 2004). O. MASAYUKI : On the Structure and Function of V1 Constructions in Old English. — W. COOKE : ME Haterly/Heterly: Origin and Meaning. — A. HILLE : On the Distribution of the Forms To and Till in the Ormulum. — J. DAALDER : Which is the Most Authoritative Early Translation of Wilde’s Salomé? — R. STENNING EDGECOMBE : Secular “Religion” in Wharton’s “Pleasures of Melancholy.” — W. JONES NAKANISHI : Diaries and Letters in Japan and Britain: A Comparative Study. — P. LÓPEZ RÚA : The Categorial Continuum of English Blends. — F. AUSTIN : Points of Modern English Usage.

The Explicator. — Vol. 62, n° 3 (Spring 2004). Beowulf, Shakespeare (Sonnet 130, 1 Henry IV, Romeo and Juliet), Dryden, Keats, James, Kipling, Williams, Hemingway, Steinbeck, O’Hara, Thomas, Ellison, Wilbur, Doctorow, Plath, Zahavi.

Les Langues Modernes. — Vol. 98, n° 1 (janvier 2004). R. MOGIN-MARTIN et C. RIVALAN-GUEGO : Contribution à une réflexion sur le contenu de la formation scientifique des futurs professeurs. — P. CORDOBA : Quel avenir pour les concours ? — R. PARISOT : Les nouvelles modalités de l’oral pour le Capes d’allemand. — M.-S. RODRIGUEZ : L’épreuve sur dossier avec séquence filmique à l’oral du Capes d’espagnol. — M.-S. RODRIGUEZ : Quand le cinéma fait son cinéma et oublie l’Histoire : El embrujo de Shanghai de Fernando Trueba. — M. DERIVRY-PLARD : Les concours de langues et les enseignants natifs. — R. LUCKSCHEITER : Les recrutements de professeurs en Allemagne. — J.-F. THÉMINES : Des paradigmes de l’enseignement de contenus culturels. — C. MOLINIER : Le sac à humour.

Moreana. — Vol. 49, n° 153-154 (March 2003). I. BORE : Thomas More et Pic de la Mirandole: Parcours croisés. — D. GILMAN : Dramatic Debate: Vividness and Verve in Thomas More’s A Dialogue Concerning Heresies. — A. O’DONNELL : Classical Rhetoric in Tyndale’s An Answere to Sir Thomas Mores Dialoge. — B. HOSINGTON : Thomas More’s Views on Language and Translation and their Place in the Classical and Humanist Tradition. — J. HEADLEY : The Problem of Counsel Revisited: More, Castiglione and the Resignation of Office in the Sixteenth Century. — H.B. NORLAND : More’s and Elyot’s Political Perspectives and their Classical Precedents. — M.-C. PHELIPPEAU : The Last Things, ou les Vérités dernières. — W. GORDON : Hope’s Movement toward Love in More and Aquinas. — A. YOUNG : Martin Luther and Thomas More: Two Trials of Conscience. — J.-P. MOREAU : Modernité de Thomas More. — A. LAKE PRESCOTT : Postmodern More.

Nineteenth-Century Literature. — Vol. 58, n° 4 (March 2004). J. RAPPOPORT : Buyer Beware: The Gift Poetics of Letitia Elizabeth Landon. — C. MATTHEWS : “A Relation, Oh Bliss! Unto Others”: Heterosexuality and the Ordered Liberties of The Bothie of Toper-Na-Fuosich. — I.M. BLUMBERG : “Unnatural Self-Sacrifice”: Trollope’s Ethic of Mutual Benefit.

Restoration. — Vol. 28, n° 1 (Spring 2004). A. BARBEAU GARDINER : Spinoza vs. Bossuet: The European Debate behind Dryden’s Religio Laici. — M. BLACKWELL : The Subterranean Wind of Allusion: Milton, Dryden, Shadwell, and Mock-Epic Modernity. — R. SILVA : Fishing for Literary Influence: Echoes of Fernão Mendes Pinto’s Peregrinação in Izaak Walton’s The Compleat Angler.

The Shakespeare Quarterly. — Vol. 54, n° 4 (2003). J. DUSINBERRE : Pancakes and a Date for As You Like It. — C. SHRANK : Civility and the City in Coriolanus. — H. HIRSCHFELD : Hamlet’s “first corse”: Repetition, Trauma, and the Displacement of Redemptive Typology.

Studies in English Literature 1500-1900. — Vol. 44, n° 2 (Spring 2004). D. STYMEIST : Status, Sodomy, and the Theater in Marlowe’s Edward II. — S. PENUEL : Castrating the Creditor in The Merchant of Venice. — A. GILMAN SHERMAN : Disowning Knowledge of Jessica, or Shylock’s Skepticism. — R.J. RICE : Cannibalism and the Act of Revenge in Tudor-Stuart Drama. — S. MAGEDANZ : Public Justice and Private Mercy in Measure for Measure. — M. HUNT : “Bearing Hence” Shakespeare’s The Winter’s Tale. — A.H. TRICOMI : The Severed Hand in Webster’s Duchess of Malfi. — P. BEREK : Cross-Dressing, Gender, and Absolutism in the Beaumont and Fletcher Plays. — C.A. HENZE : Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque.

The Yale Review. — Vol. 92, n° 1 (January 2004). F. O’HARA : The Houses at Falling Hanging. — R. FRASER : Pietro Cavallini and the Ruins of Rome. — R. GONZÁLEZ ECHEVARRIA. — S.R. PLATT : The Mandarin of Cambridge. — L. BARKAN : Time, Space, and Burgundy. — Vol. 92, n° 2 (April 2004). P. WEST : The Prisoner of War. — T. EVERLINE : Letter from Cairo. — W. DERESIEWICZ : Letter from India. — D. STRAUS : Townhouse Trilogy. — L. DAVIS : Loaf or Hot-Water Bottle: Closely Translating Proust. — J. RICHARDSON : Vectors 2.0: More Aphorisms and Ten-Second Essays. — W. SPIEGELMAN : Bodies Swayed to Music: An English Teacher Steps Out.