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Bibliographie générale

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Bibliographie générale

Ouvrages généraux sur la théorie littéraire et son avenir

· Critical Inquiry 30, 2 (hiver 2004). Inclut un dossier sur « The Future of Criticism ».

· Tropismes (décembre 2004). Ce numéro reprend une partie des communications présentées au colloque « Whither Theory? », organisé à Nanterre en juin 2003. L’intégralité des communications est publiée sur le site //www.Whither-Theory.com. Voir aussi le lien sur //www.cf.ac.uk/encap/sections/cct/

· Butler Judith, John Guillory and Kendall Thomas. What’s Left of Theory?: New Work on the Politics of Literary Theory. London: Routledge, 2000.

· Carroll, David, ed. The States of “Theory”: History, Art, and Critical Discourse. New York: Columbia UP, 1990.

· Cohen, Ralph. The Future of Literary Theory. London: Routledge, 1989.

· Miller, J. Hillis. On Literature. London: Routledge, 2002.

· McQuillan, Martin, ed. Post-theory: New Directions in Criticism. Edinburgh: Edinburgh UP, 1999.

· Rabaté, Jean-Michel. The Future of Theory. Oxford: Blackwell, 2002.

Adorno / Benjamin et l’École de Francfort

· Abensour, Miguel et Géraldine Muhlmann, éd. « L’École de Francfort : la Théorie Critique entre philosophie et sociologie ». Tumultes 17-18 (2002).

· Adorno, Theodor. Negative Dialectics. [1966]. Trad. E.B. Ashton. London: Routledge, 1973. Dialectique négative. Trad. Groupe de traduction du Collège de Philosophie. Paris : Payot, 1978 : rééd. Paris : Rivages, 2003.

· —. Minima Moralia: Reflections from a Damaged Life. [1951]. London: New Left, 1974. Minima Moralia. Réflexions sur la vie mutilée. Trad. Éliane Kaufholz et Jean-René Ladmiral. Paris : Payot, 1980.

· —. Notes sur la littérature. Trad. Sybille Muller. Paris : Flammarion, 1984.

· —. Prismes. Critique de la culture et société. [1955]. Trad. Geneviève et Rainer Rochlitz. Paris : Payot, 1986.

· —. The Culture Industry. [1972-1981]. Trans. J. M. Bernstein. London: Routledge, 1991.

· —. Aesthetic Theory. [1970]. Trans. Robert Hullot-Kenter. London: The Athlone P, 1997. Théorie esthétique. Trad. Marc Jimenez et Éliane Kaufholz. Paris : Klincksieck, 1974.

· Adorno, Theodor and Max Horkheimer. [1944]. Dialectics of Enlightenment. Trans. John Cummin. London: Verso, 1979. Dialectique de la raison. Trad. Éliane Kaufholz. Paris : Gallimard, 1974.

· Benjamin, Andrew. The Problems of Modernity. Adorno and Benjamin. London: Routledge, 1989.

· Benjamin, Walter. Illuminations. [1955]. Ed. Hannah Arendt, trans. Harry Zorn. London: Pimlico, 1999.

· —. Fragments. Éd. Rolf Tiedemann et Hermann Schweppenhaüser, trad. Christophe Jouanlanne et Jean-François Poirier. Paris : PUF, 2001.

· —. The Arcades Project. [1982]. Trans. Howard Eiland and Kevin McLaughlin. Cambridge, Mass.: The Belknap P, 1999. Paris capitale du XIX^e siècle. Trad. Jean Lacoste. Paris : Cerf, 1989.

· —. Les Origines du drame baroque allemand. Trad. Sibylle Muller. Paris : Flammarion, 1985.

· Bernstein, J.M. Adorno. Disenchantment and Ethics. Cambridge: Cambridge UP, 2001.

· Buck-Morss, Susan. The Origin of Negative Dialectics. T.W. Adorno, W. Benjamin and the Frankfurt Institute. London: Harvester, 1978.

· —. The Dialectics of Seeing. Walter Benjamin and the Arcades Project. Cambridge, Mass.: MIT P, 1993.

· Bürger, Peter. Theory of the Avant-Garde. [1979]. Minneapolis: U of Minnesota P, 1984.

· Eagleton, Terry. Walter Benjamin, or Towards a Revolutionary Criticism. London: New Left Books, 1981.

· Huhn, Tom and Lambert Zuidervaert, eds. The Semblance of Subjectivity. Essays in Adorno’s Aesthetic Theory. Cambridge, Mass.: MIT P, 1997.

· Jay, Martin. Adorno. Cambridge, Mass.: Harvard UP, 1984.

· Jameson, Fredric. Marxism and Form. 20th Century Dialectical Theories of Literature. Princeton : Princeton UP, 1974.

· —. Late Marxism. Adorno or the Persistence of the Dialectic. London: Verso, 1990.

· Jarvis, Simon. Adorno: A Critical Introduction. Oxford: Polity P, 1998.

· Jennings, Michael W. Dialectical Images: Walter Benjamin’s Theory of Literary Criticism. Ithaca: Cornell UP, 1987.

· Lunn, Eugene. Marxism and Modernism. An Historical Study of Lukacs, Brecht, Benjamin and Adorno. Berkeley: U of California P, 1982.

· O’Neill, Maggie. Adorno, Culture and Feminism. London: Sage, 1999.

· Pensky, Max, ed. The Actuality of Adorno. Critical Essays on Adorno and the Postmodern. New York: State U of New York P, 1997.

· Rose, Gillian. The Melancholy Science. An Introduction to the Thought of T. W. Adorno. London: Macmillan, 1978.

· Sherratt, Yvonne. Adorno’s Positive Dialectic. Cambridge: Cambridge UP, 2002.

· Winston, Robert. Adorno on Pop Culture. London: Routledge, 2003.

La déconstruction

Cette bibliographie ne propose qu’une sélection des écrits de Jacques Derrida et des textes innombrables que son œuvre a inspirés. Cette bibliographie vient en supplément à celle parue dans le numéro 55. 3 (juillet-septembre 2002) d’Études Anglaises.

· Bennington, Geoffrey, ed. Interrupting Derrida. London: Routledge, 2000.

· Cohen, Tom. Jacques Derrida and the Humanities: A Critical Reader. Cambridge: Cambridge UP, 2001.

· Dasenbrock, Reead Way, ed. Re-Drawing the Lines: Analytic Philosophy, Deconstruction, and Literary Theory. Minneapolis: U of Minnesota P, 1989.

· Derrida, Jacques. La Voix et le phénomène. Paris : PUF, 1967. Speech and Phenomena, and Other Essays on Husserl’s Theory of Signs. Trans. David B. Allison. Evanston: Northwestern UP, 1973.

· —. De la grammatologie. Paris : Minuit, 1967. Of Grammatology. Trans. Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins UP, 1976.

· —. L’Écriture et la différence. Paris : Seuil, 1967. Writing and Difference. Trans. Alan Bass. Chicago: The U of Chicago P, 1978.

· —. La Dissémination. Paris : Seuil, 1972. Dissemination. Trans. Barbara Johnson. London: Athlone, 1981.

· —. La Carte postale. Paris : Flammarion, 1980. Trans. Alan Bass. The Post Card: from Socrates to Freud and Beyond. Chicago: The U of Chicago P, 1999.

· —. “The Time of a Thesis: Punctuations.” Alan Montefiore, ed. Philosophy in France Today. Cambridge: Cambridge UP, 1983. 34-50.

· —. Mémoires d’aveugle. Paris : Éditions de la Réunion des musées nationaux, 1990.

· —. Acts of Literature. Derek Attridge, ed. London: Routledge, 1992.

· —. « Donner la mort ». Jean-Michel Rabaté et Michael Wetzel, éd. L’Éthique du don : Jacques Derrida et la pensée du don. Paris : Métalié-Transition, 1992 : 11-108. The Gift of Death. Trans. David Wills. Chicago: The U of Chicago P, 1995.

· —. Spectres de Marx : L’état de la dette, le travail du deuil et la nouvelle Internationale. Paris : Galilée, 1993. Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. Trans. Peggy Kamuf. London: Routledge, 1994.

· —. Politiques de l’amitié. Paris : Galilée, 1994. Politics of Friendship. Trans. George Collins. London: Verso, 1997.

· —. Apories. Paris : Galilée, 1996.

· —. On Cosmopolitanism and Forgiveness. Trans. Mark Dooley and Michael Hughes. London: Routledge, 2001.

· — Artaud le Moma. Paris : Galilée, 2002. The Secret Art of Antonin Artaud. Trans. Mary Ann Caws. Cambridge, Mass.: MIT P, 1998.

· Derrida, Jacques et Geoffrey Bennington. Jacques Derrida. Paris : Seuil, 1991.

· Derrida, Jacques et Catherine Malabou. Jacques Derrida. La contre-allée. Paris : La Quinzaine littéraire, 1999.

· « Jacques Derrida ». Evelyne Grossman, éd. Europe 901 (2004).

· Dutoit, Thomas, éd. Derrida d’ici, Derrida de là : l’Université en déconstruction. Paris : Galilée, 2005.

· Gasché, Rodolphe. The Tain of the Mirror: Derrida and the Philosophy of Reflection. Cambridge, Mass.: Harvard UP, 1986. Trad. Marc Froment-Meurice. Le Tain du miroir : Derrida et la philosophie de la réflexion. Paris : Galilée, 1995.

· Norris, Christopher. Deconstruction. London: Routledge, 1982.

· Rorty, Richard. “Philosophy as a Kind of Writing: An Essay on Derrida.” Consequences of Pragmatism. Brighton: Harvester P, 1982. 89-109.

· Royle, Nicholas, ed. Deconstructions: A User’s Guide. Basingstoke: Palgrave, 2000.

· Spivak, Gayatri Chakravorty. A Critique of Postcolonial Reason: Toward a History of the Vanishing Present. Cambridge: Harvard UP, 1999.

· —. In Other Worlds: Essays in Cultural Politics. New York: Methuen, 1987.

· Young, Robert. Untying the Text: A Post-Structuralist Reader. London: Routledge and Kegan Paul, 1981.

· —. White Mythologies: Writing History and the West. London: Routledge, 1990.

“Eco-criticism” / “Green studies”

On pourra se reporter à la revue ISLE (Interdisciplinary Studies in Literature and Environment).

· Armbruster, Karla and Kathleen Wallace. Beyond Nature Writing: Expanding the Boundaries of Ecocriticism (Under the Sign of Nature: Explorations Ecocriticism). Charlottesville: UP of Virginia, 2001.

· Bate, Jonathan. Romantic Ecology. Wordsworth and the Environmental Tradition. London: Routledge, 1991.

· —. The Song of the Earth. Cambridge, Mass.: Harvard UP, 2000.

· Berleant, Arnold. The Aesthetics of Environment. Philadelphia: Temple UP, 1992.

· Buell, Lawrence. The Environmental Imagination. Thoreau, Nature Writing, and the Formation of American Culture. Cambridge, Mass.: Harvard UP, 1995.

· —. Writing for an Endangered World: Literature, Culture, and Environment in the U.S. and Beyond. Cambridge, Mass.: Harvard UP, 2001.

· Coupe, Lawrence, ed. The Green Studies Reader. London: Routledge, 2000.

· Elder, John. Imagining the Earth: Poetry and the Vision of Nature. Urbana / Chicago: U of Illinois P, 1995.

· Evernden, Neil. The Social Creation of Nature. Baltimore: Johns Hopkins UP, 1992.

· Gifford, Terry. Green Voices: Understanding Contemporary Nature Poetry. Manchester: Manchester UP, 1995.

· Kerridge, Richard et Neil Sammels, eds. Writing the Environment: Ecocriticism and Literature. London: Zed Books, 1998.

· Kroeber, Karl. Ecological Literary Criticism: Romantic Imagining and the Biology of Mind. New York: Columbia UP, 1994.

· Love, Glen A. Practical Ecocriticism: Literature, Biology, and the Environment (Under the Sign of Nature: Explorations in Ecocriticism). Charlottesville: UP of Virginia, 2003.

· Mitchell, W. J. T., ed. Landscape and Power. Chicago: The U of Chicago P, 1994.

· Phillips, Dana. The Truth of Ecology. Nature, Culture and Literature in America. Oxford: Oxford UP, 2003.

· Rosedale, Steven. The Greening of Literary Scholarship: Literature, Theory and the Environment. Iowa City: U of Iowa P, 2002.

· Soulé, Gary Lease, ed. Reinventing Nature? Responses to Postmodern Deconstruction. Washington D.C.: Island P, 1995.

Féminisme / « Gender Studies »

· Abel, Elizabeth. Writing and Sexual Difference. Chicago: The U of Chicago P, 1982.

· Abel, Elizabeth and Emily Abel, eds. The “Signs” Reader: Women, Gender and Scholarship. Chicago: The U of Chicago P, 1983.

· Benhabib, Seyla et al. Feminist Contentions: A Philosophical Exchange (Thinking Gender). London: Routledge, 1995.

· Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. London: Routledge, 1990.

· —. Bodies that Matter. On the Discursive Limits of Sex. London: Routledge, 1993.

· —. Undoing Gender. London: Routledge, 2004.

· Bordo, Susan. Unbearable Weight: Feminism, Western Culture and the Body. Berkeley: U of California P, 2003.

· Bordo, Susan and Alison M. Jaggar, eds. Gender/Body/Knowledge: Feminist Reconstructions of Being and Knowing. New Brunnswick: Rutgers UP, 1989.

· Bronfen, Elisabeth. Over Her Dead Body. Death, Femininity and the Aesthetic. Manchester: Manchester UP, 1992.

· Cixous, Hélène. Entre l’écriture. Paris : Des Femmes, 1986.

· Cornell, Drucilla. Transformations: Recollective Imagination and Difference. London: Routledge, 1993.

· —. Ethical Feminism. New York: Sage, 2004.

· Deutscher, Penelope. Yielding Gender: Feminism, Deconstruction and the History of Philosophy. London: Routledge, 1997.

· Elam, Diane. Feminism and Deconstruction. London: Routledge, 1994.

· Felski, Rita. Beyond Feminist Aesthetics: Feminits Literature and Social Change. Cambridge, Mass.: Harvard UP, 1989.

· Gallop, Jane. Feminism and Psychoanalysis: the Daughter’s Seduction. London: Macmillan, 1982.

· Garber, Marjorie. Vested Interests: Cross-dressing and Cultural Anxiety. London: Routledge, 1992.

· Gilbert, Sandra and Susan Gubar. The Mad Woman in the Attic: the Woman Writer and the Nineteenth Century Imagination. Yale: Yale UP, 1979.

· —. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Yale: Yale UP, 1989.

· Gillis, Stacy, Gillian Howie et Rebecca Munford, eds. Third Wave Feminism. London: Palgrave, 2004.

· Haraway, Donna. Simians, Cyborgs and Women: the Reinvention of Nature. London: Routledge, 1991.

· Irigaray, Luce. Speculum. De l’autre femme. Paris : Minuit, 1974.

· —. Ce sexe qui n’en est pas un. Paris : Minuit, 1977.

· Jacobus, Mary. Reading Woman: Essays in Feminist Criticism. London: Methuen, 1986.

· Maynard, Mary and Jane Purvis, eds. (Hetero)sexual Politics. London: Taylor and Francis, 1995.

· Miller, Nancy. The Poetics of Gender. Baltimore: Columbia UP, 1988.

· Moi, Toril. Sexual/Textual Poltics. London: Routledge, 1985.

· Shildrick, Margrit. Leaky Bodies and Boundaries: Feminism, Postmodernism and (Bio)ethics. London: Routledge, 1997.

· Wittig, Monique. The Straight Mind and Other Essays. Hemel Hempstead: Harvester, 1992.

Iconologie / Théorie de l’image

On se référera avec profit à la revue Representations, publiée par The U of California P, ainsi qu’à Critical Inquiry, publiée par The U of Chicago P (voir en particulier le n˚ 6 : 3, 1980).

· Berger, John. Ways of Seeing. London: Penguin, 1983.

· Bryson, Norman. Vision and Painting. The Logic of the Gaze. London: Macmillan, 1983.

· Crary, Jonathan. Techniques of the Observer. Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT P, 1990. Trad. F. Maurin, L’Art de l’observateur. Vision et modernité au XIX^e siècle. Nîmes : Jacqueline Chambon, 1994.

· —. Suspensions of Perception. Attention, Spectacle, and Modern Culture. Cambridge, Mass.: MIT P, 1999.

· Foster, Hal, ed. Vision and Visuality. Seattle: Bay, 1988.

· —. The Return of the Real: the Avant-Garde at the End of the Century. Cambridge, Mass.: MIT P, 1996.

· —. The Anti-Aesthetic: Essays on Postmodern Culture. New York: New P, 2002.

· Gablik, Susi. The Reenchantement of Art. London: Thames and Hudson, 1991.

· Gombrich, Ernst. Art and Illusion. Princeton: Princeton UP, 1956.

· —. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon, 1971. Trad. G. Durand, L’Art et l’illusion: psychologie de la représentation picturale. Paris : Gallimard, 1996.

· Goodman, Nelson. Languages of Art: An Approach to the Theory of Symbols. Indianapolis: Hackett, 1976. Trad. J. Morizot, Langages de l’art : une approche de la théorie des symboles. Nîmes : Jacqueline Chambon, 1990.

· Jameson, Fredric. Signatures of the Visible. London: Routledge, 1990.

· Jencks, Charles. Visual Culture. London: Routledge, 1995.

· Krauss, Rosalind. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass.: MIT P, 1984.

· —. The Optical Unconscious. Cambridge, Mass.: MIT P, 1993.

· Miller, David C., ed. American Iconology: New Approaches to Nineteenth-Century Art and Literature. New Haven: Yale UP, 1993.

· Mitchell, William J. T., ed. Blake’s Composite Art: A Study of Illuminated Poetry. Princeton: Princeton UP, 1978.

· —. The Language of Images. Chicago: The U of Chicago P, 1980.

· —. Iconology. Image, Text, Ideology. Chicago: The U of Chicago P, 1986.

· —. Picture Theory. Essays on Verbal and Visual Representation. Chicago: The U of Chicago P, 1994.

· Owens, Craig. Beyond Recognition: Representation, Power and Culture. Berkeley: U of California P, 1992.

· Panofsky, Ernst. Studies in Iconology. [1939]. Oxford: Oxford UP, 1939. Trad. Bernard Teyssèdre. Essais d’iconologie. Paris : Gallimard, 1967.

· —. Meaning in the Visual Arts: Views from the Outside. Princeton: Institute for Advances Studies, 1995.

· —. Perspective as Symbolic Form. Cambridge, Mass.: MIT P, 1991. Trad. Guy Ballangé. La perspective comme forme symbolique et autres essais. Paris : Minuit, 1975.

· Pollock, Griselda. Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge, 1988.

Littérature et sciences

On pourra consulter avec profit la revue TLE qui a consacré plusieurs numéros à la question des liens entre littérature et cognition.

· Bowen, Zack and David Wilson. Science and Literature: Bridging the Two Cultures. Gainesville: UP of Florida, 2001.

· Hayles, K. Chaos Bound: Orderly Disorder in Contemporary Literature and Science. Ithaca: Cornell UP, 1990.

· Herbert, Christopher. Victorian Relativity: Radical Thought and Scientific Discovery. Chicago: The U of Chicago P, 2001.

· Krips, Henry, J.E. McGuire and Trevor Melia, eds. Science, Reason and Rhetoric. Pittsburgh: U of Pittsburgh P, 1995.

· Serres, Michel. Hermès. Paris : Minuit, 1968.

· Shuttleworth, Sally and J. R. R. Christie, eds. Nature Transfigured: Literature and Science, 1700-1900. Manchester: Manchester UP, 1989.

Slavoj Žižek

· Butler, Judith, Ernesto Laclau and Slavoj Žižek. Contingency, Hegemony, Universality: Contemporary Dialogues on the Left. London: Verso, 2000.

· Kay, Sarah. Žižek: A Critical Introduction. Cambridge: Polity, 2003.

· Parker, Ian. Slavoj Žižek: A Critical Introduction. London: Pluto, 2004.

· Wright, Elizabeth and Edmond Wright, eds. The Žižek Reader. [1999]. Oxford: Blackwell, 2000.

· Žižek, Slavoj. The Sublime Object of Ideology. 1989. 4^th ed. London: Verso, 1994.

· —. Looking Awry: An Introduction to Jacques Lacan through Popular Culture. [1991]. 7^th impression. Cambridge, Mass.: MIT P, 1997.

· —. Enjoy your Symptom! Jacques Lacan in Hollywood and Out. 1992. 2nd ed. London: Routledge, 2001.

· —. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.

· —. The Plague of Fantasies. London: Verso, 1997.

· —. The Ticklish Subject: the Absent Centre of Political Ontology. 1999. London: Verso, 2000.

· —. The Fragile Absolute: or, Why is the Christian Legacy Worth Fighting For? London: Verso, 2000.

· —. Organs Without Bodies: On Deleuze and Consequences. London: Routledge, 2004.