• LYNDA MUGGLESTONE. — “Talking Proper”: The Rise of Accent as Social Symbol. (Oxford: Oxford UP, 2003, viii + 354 pp.)
• JOHN AYTO. — Oxford Dictionary of Slang. (Oxford : Oxford UP, 2003, vi + 474 pp., £ 8.99.) et Oxford Dictionary of Rhyming Slang. (Oxford: Oxford UP, xviii + 310 pp., £ 7.99.)
• BERNARD COMRIE, STEPHEN MATTHEWS, MARIA POLINSKY. — The Atlas of Languages. (New York: Facts On File, 2003, 244 pp., $ 35.00 U.S.)
• BJØRG BÆKKEN. — Word Order in 17th-Century English. (Oslo: Novus P, 2003, xiv + 220 pp., NOK 263, € 32, 90.)
• FRANCIS GUINLE. — The Concord of this Discord : La structure musicale du Songe d’une nuit d’été de William Shakespeare. (Saint-Étienne : PU de Saint-Étienne, 2003, 224 pp., 23 €.)
• JONATHAN HOPE. — Shakespeare’s Grammar. (London: Methuen, 2003.)
• SIR THOMAS OVERBURY (And Others). — Characters. Ed. DONALD BEECHER. (Ottawa: Dovehouse, P of the Barnabe Riche Society, vol. 15, 2003, 397 pp.)
• PAULINA KEWES, ed. — Plagiarism in Early Modern England. (Houndmills, Basingstoke, Hampshire ; New York, 2003, xv + 276 pp.)
• BARRY COLLETT, ed. — Female Monastic Life in Early Tudor England. With an Edition of Richard Fox’s Translation of the Benedictine Rule for Women, 1517. (Aldershot: Ashgate, 2002, x + 179 pp., £ 40.00.)
• MARY ARSHAGOUNI PAPAZIAN, ed.— John Donne and the Protestant Reformation: New Perspectives (Detroit: Wayne State UP, 2003, viii + 385 pp., £ 38.50.)
• ANNE KELLEY. — Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. (Aldershot: Ashgate, 2002, viii + 279 pp., £ 45.00.)
• IRVING N. ROTHMAN and R. MICHAEL BOWERMAN, eds. — The Political History of the Devil, The Stoke Newington Daniel Defoe Edition. (New York: AMS P, 2003, cvii + 605 pp., $ 178.50.)
• Henry FIELDING. — Contributions to The Champion and Related Writings. Ed. WILLIAM B. COLEY. The Wesleyan Edition of the Complete Works of Henry Fielding. Vol. 11 (Oxford: Clarendon, 2003, cxxvi + 687 pp.)
• ALEXIS TADIÉ. — Sterne’s Whimsical Theatres of Language—Orality, Gesture, Literacy. (Aldershot: Ashgate P, 2003, viii + 193 pp.)
• JOSEPHINE McDONNAGH. — Child Murder and British Culture 1720-1900. (Cambridge: Cambridge UP, 2003, xiii + 278 pp. £ 45.)
• JOHN A. MURPHY, ed. — Les Français sont dans la baie : L’expédition en baie de Bantry, 1796. Trad. Groupe de Recherches en Études Irlandaises, sous la direction de BERNARD ESCARBELT et CLAUDE FIEROBE (Caen : PU, 2004, 192 pp., 16 €.)
• JANE CARLYLE. — Newly Selected Letters. Eds. KENNETH J. FIELDING and DAVID R. SORENSEN. (Aldershot: Ashgate, 2004, xxxviii + 334 p., £ 50.00.)
• JOHN M. ULRICH. — Signs of Their Times; History, Labor, and the Body in Cobbett, Carlyle, and Disraeli. (Athens: Ohio UP, 2002, x + 221 pp., $ 44.95.)
• CHRISTINE ALEXANDER and MARGARET SMITH, eds. — The Oxford Companion to the Brontës. (Oxford: Oxford UP, 2003, liii + 586 pp., £ 60.00, $ 95.00.)
• HEATHER GLEN. — Charlotte Brontë: The Imagination in History. (Oxford: Oxford UP, 2002, 2004 [pb], xi + 314 pp., £ 14.99.)
• JUDITH L. FISHER. — Thackeray’s Skeptical Narrative and the “Perilous Trade” of Authorship. (Aldershot: Ashgate, 2002, ix + 300 pp., £ 45.)
• ROGER TAYLOR and EDWARD WAKELING. — Lewis Carroll Photographer ; the Princeton University Library Albums. (Princeton and Oxford : Princeton UP, 2002, xvi + 288 pp., 500 ill., $ 49.95/£ 35.00.)
• MARIE-ÉLISE PALMIER-CHATELAIN et PAULINE LAVAGNE D’ORTIGUE, éds. — L’Orient des femmes (Lyon : ÉNS Éditions, 2002, 320 pp. et 27 ill.)
• BERNARD BERGONZI. — A Victorian Wanderer: The Life of Thomas Arnold the Younger. (Oxford: Oxford UP, 2003, x + 274 pp., £ 25.00.)
• MARTIN J. WIENER. — Men of Blood: Violence, Manliness and Criminal Justice in Victorian England. (Cambridge: Cambridge UP, 2004, xvi + 296 pp., £ 45.00.)
• GILLES MENEGALDO, JEAN-PIERRE NAUGRETTE, éd. — R. L. Stevenson et A. Conan Doyle — Aventures de la Fiction. Colloque de Cerisy (Rennes : Terre de Brume, 2003, 429 pp., 25 €.)
• JOHN RICHARD WATSON, ed. — An Annotated Anthology of Hymns, with a foreword by TIMOTHY DUDLEY-SMITH. (Oxford : Oxford UP, 2002, 2003, xvii + 452 pp., Hb. £ 35.00, Pb. £ 16.99.)
• JEAN VIVIÈS, éd. — Lignes d’Horizon. Récits de voyage de la littérature anglaise. (Aix-en-Provence : P de l’U de Provence, 2002, 238 pp., 24 €.) Lignes de fuite. Littérature de voyage du monde anglophone. (Aix-en-Provence : P de l’U de Provence, 2003, 238 pp., 24 €.)
• MICHEL MIDAN. — Voix d’Outre-Manche. Cent poésies en langue anglaise, de Sidney à Causley, avec traduction. (Paris : L’Harmattan, 2002, 2e édition, 314 pp., 26 €.)
• BARRY REAY. — Watching Hannah: Sexuality, Horror and Bodily Deformation in Victorian England. (London: Reaktion Books, 2002, 200 pp., 95 ill., £ 22.)
• NICOLA BROWN, CAROLYN BURDETT and PAMELA THURSCHWELL, eds. — The Victorian Supernatural. (Cambridge: Cambridge UP, 2004, xv + 305 p., £ 45.00, US $ 65.00.)
• D. H. LAWRENCE. — Paul Morel. Ed. HELEN BARTON. (Cambridge: Cambridge UP, 2003, lviii + 324 pp. £ 70.00, US $ 100.00.)
• DAVID WATERMAN. — Le Miroir de la société. La violence institutionnelle chez Anthony Burgess, Doris Lessing et Pat Barker. (Ravenna : Longo Editore, 2003, 133 pp., 12 €.)
• FRANÇOIS GALLIX. — Graham Swift. Écrire l’imagination. (Bordeaux : PU de Bordeaux, 2003, 119 pp., 12 €.)
• JAY GROSSMAN. — Reconstituting the American Renaissance: Emerson, Whitman, and the Politics of Representation. (Durham and London : Duke UP, 2003, 273 pp.)
• STEVEN TROUT. — Memorial Fictions. Willa Cather and the First World War. (Lincoln and London: U of Nebraska P, 2002, ix + 225 pp., £ 30.50.)
• CAMILLE FORT. — Dérives de la parole : les récits de William Golding. (Paris : L’Harmattan, 2003, 426 p., 33,50 €. )
• HOWARD BARKER. — Œuvres choisies, vol. 1-4 (Paris : Théâtrales, 2001-2004.)
• DANIEL ROYOT. — La Littérature américaine. (Paris : PUF, 2004, 128 pp.)
• EVA-MARIE KRÖLLER, ed. — The Cambridge Companion to Canadian Literature. (Cambridge: Cambridge UP, 2004, xxvii + 292 pp., Hb. £ 45, Pb. £ 16.99.)
• JEAN-PAUL ENGELIBERT. — Aux avant-postes du progrès. Essai sur l’œuvre de J.M. Coetzee. (Limoges : PU de Limoges, 2003, 157 pp., 20 €.)