Anglia. — Vol. 122, n° 3 (2004). S. LERER : “A Scaffold in the Market Place”: Bad Hamlet, Good Romans, and the Shakespearean Idiom. — M. GEHRING : Vladimir Nabokov’s Lolita als Rhizomlabyrinth. — T. FRELLER : Malta im englischen Drama der Shakespeare-Epoche. Handels- und Reiseverkehr als Ursachen literarischer Phänomene – diskutiert am Beispiel von Christopher Marlowes The Jew of Malta. — R. WEST-PAVLOV : Space Invaders: Space and History in Historiographic Metafiction: Rushdie, Swift, Barnes. — C. REINFANDT : Power, Poetics and the Popular: American Reactions to 9/11 and the Discourse of Redemptionism.

Diacritics. — Vol. 32, n° 3-4 (Fall-Winter 2002). M. SANDERS : Introduction: Ethics and Interdisciplinarity in Philosophy and Literary Theory. — G. CHAKRAVORTY SPIVAK : Ethics and Politics in Tagore, Coetzee, and Certain Scenes of Teaching. — M. MAMDANI : Amnesty or Impunity? A Preliminary Critique of the Report of the Truth and Reconciliation Commission of South Africa (TRC). — M. SANDERS : Remembering Apartheid. — W. HAMACHER : Guilt History: Benjamin’s Sketch “Capitalism as Religion.” — J. HODGE : Ethics and Time: Lévinas between Kant and Husserl. — E. KAUFMAN : Why the Family Is Beautiful (Lacan against Badiou).

The Explicator. — Vol. 63, n° 2 (Winter 2005). Textes de Shakespeare (Hamlet), Taylor, Edgeworth, Cooper, Tennyson, Whitman, Rossetti, Griggs, Stevens, Cather, Millay, Fitzgerald, Williams, Larkin, Munro, Morrison, McCarthy, Carver, Heaney, Frazier, Soto.

IJES. — Vol. 4, n° 2 (2004). Advances in Optimality Theory. M. HAMMOND : Gradience, Phonotactics and the Lexicon in English Phonology. — M. YIP : Lateral Survival: An OT Account. — C. RINGEN and P. HELGASON : Distinctive [voice] does not Imply Regressive Assimilation: Evidence from Swedish. — E. BONET : Morph Insertion and Allomorphy in Optimality Theory. — E. BROSELOW and Z. XU : Differential Difficulty in the Acquisition of Second Language Phonology. — J. A. CUTILLAS : Meaningful Variability: A Sociolinguistically-Grounded Approach to Variation in Optimality Theory.

Les Langues Modernes. — Vol. 98, n° 4 (octobre 2004). E. NISSEN : Importance du scénario pédagogique dans l’apprentissage d’une langue étrangère en ligne. — A. ELSAWY, S. DIKSA, P. IMBERT : Tableaux interactifs et enseignement des langues : compte rendu d’un projet d’équipe. — A. PÉCHOU et A. STANTON : Connected Speech, annotation à l’écran : un petit pas multimédia… mais un bond en avant pour l’apprentissage de la prononciation. — D. BAYON LOPEZ : Apprentissage des langues et Nomadisme. — J. HUMBLEY : Le « thème » technique revisité à la lumière de la linguistique de corpus. — A. CAZADE : L’évaluation dans l’apprentissage des langues sur la toile. — V. GORCHKOVA : La traduction au service de l’apprentissage de la langue.

Mentalities/Mentalités. — Vol. 19, n° 1 (2005). D. MORRISON : Critical Analysis of Mind and Brain in Contemporary Psychiatry. — D.M. REISS : Healing and Treatment. — D. ABRAMOVICH : The Psychological Wounds of the Second Generation in Post-War Holocaust Literature. — R.F. SILVA : Eroticizing the Other in Edith Wharton’s Beatrice Palmato.

Shakespeare Quarterly. — Vol. 55, n° 3 (Fall 2004). J.A. KNAPP : Visual and Ethical Truth in The Winter’s Tale. — P. JENSEN : Singing Psalms to Horn-pipes: Festivity, Iconoclasm, and Catholicism in The Winter’s Tale. — M.J. KIDNIE : “What world is this?”: Pericles at the Stratford Festival of Canada, 2003.

The Southern Quarterly. — Vol. 42, n° 4 (Summer 2004). C. CLABOUGH : Will, Appetite, Alchemy, Faulkner, and Two French Poets: Fred Chappell’s The Inkling. — G.A. PLUNKA : Beth Henley’s The Debutante Ball and Modern Neurosis. — E. BOWLES : “You Would Think Me Far Gone in Romance”: Eliza Lucas Pinckney and Fictions of Female Identity in the Colonial South. — R.L. McDONALD : Narrative and the “Gift of Vision”: The Photography of Jack Spencer. — J. MILLICHAP : Caroline Gordon, Aleck Maury, and the Heroic Cycle. — C. JUNCKER : Women at War: The Civil War Diaries of Floride Clemson and Cornelia Peake McDonald. — J. MURRAY : Approaching Community in Carson McCullers’ The Heart is a Lonely Hunter.

Studies in English Literature 1500-1900. — Vol. 44, n° 4 (Autumn 2004). M. LEVY : Discovery and the Domestic Affections in Coleridge and Shelley. — M. KAROUNOS : Ordination and Revolution in Mansfield Park. — E. ROHRBACH : Austen’s Later Subjects. — F. PALMERI : Cruikshank, Thackeray, and the Victorian Eclipse of Satire. — E. GARGANO : The Education of Brontë’s New Nouvelle Héloïse in Shirley. — D.H. PURDY : “The One Poor Word” in Middlemarch. — D. SOBOLEV : Semantic Counterpoint, Hopkins, and The Wreck of the Deutschland. — L.K. HUGHES : Women Poets and Contested Spaces in The Yellow Book. — Vol. 45, n° 1 (Winter 2005). L. ELLINGHAUSEN : Literary Property and the Single Woman in Isabella Whitney’s A Sweet Nosgay. — W. HYMAN : Authorial Self-Consciousness in Nashe’s The Vnfortunate Traveller. — A. McKEOWN : Looking at Britomart Looking at Pictures. — L. GILBERT FREEMAN : Vision, Metamorphosis, and the Poetics of Allegory in the Mutabilitie Cantos. — R. ALBRECHT : Alchemical Augmentation and Primordial Fire in Donne’s “The Dissolution.” — R. HUEBERT : The Private Opinions of Sir Thomas Browne. — R.A. ANSELMENT : Seventeenth-Century Manuscript Sources of Alice Thornton’s Life. — D. AINSWORTH : Spiritual Reading in Milton’s Eikonoklastes. — H. WEINFIELD : Skepticism and Poetry in Milton’s Infernal Conclave.

VQR. — Vol. 81, n° 1 (Winter 2005). G. GARRETT : The Crossover Beard ; or, the True Story of Frankenstein Meets the Space Monster (Among Other Things). — E. WRIGHT : The Church of George. — S. RYFLE : Godzilla’s Footprint. — S. BIRKERTS : A Weekend at Montauk. — R. BLY and J. WRIGHT : A Correspondence. — M. ATWOOD : On Reading Carol Shields. — W. SPIEGELMAN : Rita Dove, Dancing.

The Yale Review. — Vol. 93, n° 1 (January 2005). M. BOOTH : Activism throught Literature. Arguing Women’s Rights in the Middle East. — L. STEWART : A Greek Death. — J. QUINN : Letter from Czechia. — G. MAJER : Intuitive Research Beings. — T. KENDALL : Fighting back over the Same Ground. Ted Hughes and War.

The Yearbook of English Studies. — Vol. 35 (2005). Irish Writing since 1950. D. LONGLEY : “Altering the Past”: Northern Irish Poetry and Modern Canons. — M. HARMON : Thomas Kinsella: Jousting with Evil. — G. DRUMMOND : The Difficulty of We: The Epistolary Poems of Michael Londley and Derek Mahon. — M. NIXON : “A brief glow in the dark”: Samuel Beckett’s Presence in Modern Irish Poetry. — J. ALLISON : “Friendship’s Garland” and the Manuscripts of Seamus Heaney’s “Fosterage.” — C. CLUTTERBUCK : Eavan Boland and the Politics of Authority in Irish Poetry. — C. TELL : Considering Classroom Communities: Ciaran Carson and Paul Muldoon. — G. DENVIR : From Inis Fraoigh to Innisfree… and Back Again? Sense of Place in Poetry in Irish since 1950. — W.J. McCORMACK : Yeats’s Politics Since 1943: Approaches and Reproaches. — D. Ó DRISCEOIL : “The best banned in the land”: Censorship and Irish Writing since 1950. — F. SHOVLIN : The Struggle for Form: Seán O’ Faoláin’s Autobiographies. — R. TOBIN : “Tracing Again the Tiny Snail Track”: Southern Protestant Memoir Since 1950. — S. HOLLAND : Marvellous Fathers in the Fiction of John McGahern. — K. TARIEN POWELL : “Not as son but a survivor”: Beckett… Joyce… Banville. — B. Ó CONCHUBHAIR : The Novel in Irish Since 1950: From National Narrative to Counter-Narrative. — C. McCARTHY : Seamus Deane: Between Burke and Adorno. — R. McDONALD : Strategies of Silence: Colonial Strains in Short Stories of the Troubles. — S. RICHARDS : Irish Studies and the Adequacy of Theory: The Case of Brian Friel. — D. KIBERD : Frank McGuinness and the Sons of Ulster. — N. GRENE : Ireland in Two Minds: Martin McDonagh and Conor McPherson. — A. TITLEY : Turning Inside and Out: Translating and Irish 1950-2000.