2005
Études anglaises
Bibliographie sélective
Bibliographie sélective sur la comédie anglaise
Études générales sur la comédie et le comique
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Assoun, Paul-Laurent. « L’inconscient humoriste ». L’Humour, un état d’esprit. Éd. Gérald Cohen, Autrement (sept. 1992) : 51-68.
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Bakhtine, Mikhail. L’Œuvre de François Rabelais et la culture populaire au Moyen Âge et sous la Renaissance. Paris : Gallimard, 1970.
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Bergson, Henri. Le Rire : Essai sur la signification du comique. [1904]. Paris : PUF, 2004.
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Bornecque, Pierre. Les Procédés comiques au théâtre. Paris : Panthéon, 1995.
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Canova, Marie-Claude. La Comédie. Paris : Hachette, 1993.
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Corvin, Michel. Dictionnaire encyclopédique du théâtre. 2 vol. [1995]. Paris : Larousse, 1998.
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Donaldson, Ian. The World Upside Down. Oxford, 1970.
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Émelina, Jean. Le Comique. Essai d’interprétation générale. Paris : SEDES, 1991.
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Freud, Sigmund. Le Mot d’esprit et sa relation avec l’inconscient. Trad. Denis Messier. Paris : Gallimard, 1988.
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Hutcheon, Linda. A Theory of Parody. The Teachings of Twentieth-Century Art Forms. London: Methuen, 1985.
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Issacharoff, Michael. Lieux comiques ou le temple de Janus : Essai sur le comique. Paris : Corti, 1990.
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Kerbrat-Orecchioni, Catherine. « L’ironie comme trope ». Poétique 41 (1980) : 140-55.
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Legatt, Alexander. English Stage Comedy 1490-1990: Five centuries of a genre. London: Routledge, 1998.
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Meredith, George. On the Idea of Comedy and the Uses of the Comic Spirit. [1877]. Ed. Maura C. Ives. Lewisburg: Bucknell UP and London: Associated UP, 1998.
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Milling, Jane and Peter Thomson, Joseph W. Donohue. The Cambridge History of British Theatre. Cambridge : Cambridge UP, 2005.
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Nelson, T.G.A. Comedy. Oxford: Oxford UP, 1990.
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Pavis, Patrice. Dictionnaire du théâtre. [1981] Paris : Dunod, 1996.
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Pfister, Manfred. History of English Laughter: laughter from Beowulf to Beckett and Beyond. Amsterdam and New York: Rodopi, 2002.
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Raskin, Viktor. Semantic Mechanisms of Humour. Dordrecht, Boston and Lancaster: D. Reidel, 1985.
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Rayner, Alice. Comic Persuasion. Berkeley: U of California P, 1987.
La comédie au Moyen Âge
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Axton, Richard. European Drama of the Early Middle Ages. London: Hutchinson, 1974.
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Bayless, Martha. Parody in the Middle Ages: The Latin Tradition. Ann Arbor: U of Michigan P, 1996.
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Bevington, David. From Mankind to Marlowe: Growth of Structure in the Popular Drama of Tudor England. Cambridge, Mass.: Harvard UP, 1962.
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Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge: Cambridge UP, 1994.
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Chambers, E. K. The Mediaeval Stage. Oxford: Clarendon, 1903.
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Clopper, Lawrence M. Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period. Chicago: U of Chicago P, 2004.
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Débax, Jean-Paul. Le Théâtre du Vice ou la comédie anglaise. Thèse, Université de Paris IV, 1987.
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Denny, Neville, ed. Medieval Drama. Stratford-Upon-Avon 16. London: Edward Arnold, 1973.
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Happé, Peter, ed. Medieval English Drama. London: Macmillan, 1984.
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Wickham, Glynn. Medieval Theatre. London: Weidenfield and Nicolson, 1974.
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—. “Medieval comic traditions and the beginning of English comedy.” Comic Drama: The European Heritage. Ed. W. D. Howarth. London: Methuen, 1978. 40-62.
La comédie à la Renaissance
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Baum, Helena Watts. The Satiric and the Didactic in Ben Jonson’s Comedy. New York: Russell and Russell, 1971.
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Clare, Janet and Roy Eriksen, eds. Contexts of Renaissance Comedy. Oslo: Novus, 1997.
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Farley-Hills, David. The Comic in Renaissance Comedy. London: Macmillan, 1981.
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Laroque, François. Shakespeare et la fête. Paris : PUF, 1988.
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Miola, Robert S. Shakespeare and Classical Comedy. Oxford: Clarendon, 1994.
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Potter, Lois, ed. The Revels History of Drama in English. Vol IV: 1613-1660. London: Methuen, 1981.
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Richman, David. Laughter, Pain and Wonder: Shakespeare’s Comedies and the Audience in the Theatre. Newark: U of Delaware P and London: Associated UP, 1990.
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Salingar, Leo. Shakespeare and the Traditions of Comedy. London: Cambridge UP, 1974.
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Steggle, Matthew. Wars of the Theatres: the poetics of personation in the age of Jonson. Victoria B. C.: UP of Victoria, 1998.
La comédie aux xviie et xviiie siècles
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Anderson, Misty G. Female Playwrights and 18th-century Comedy: Negociating marriage on the London stage. Basingstoke: Palgrave, 2002.
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Bevis, Richard. The Laughing Tradition: Stage Comedy in Garrick’s Day. Athens: U of Georgia P, 1980.
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—. English Drama : Restoration and Eighteenth Century, 1660-1789. London: Longman, 1988.
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T. W. Craig, ed. The Revels History of Drama in English. Vol V: 1660-1750. London: Methuen, 1976.
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Dulck, Jean. Les Comédies de R. B. Sheridan. Paris : Didier, 1962.
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Ellis, Frank. Sentimental Comedy. Cambridge: Cambridge UP, 1991.
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Fujimura, T. H. The Restoration Comedy of Wit. Princeton: Princeton UP, 1952.
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Holland, Peter. The Ornament of Action: Text and Performance in Restoration Comedy. Cambridge: Cambridge UP, 1979.
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Hughes, Derek. English Drama 1660-1700. Oxford: Clarendon, 1996.
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Hume, Robert D. The Rakish Stage: Studies in English Drama, 1660- 1800. Carbondale: Southern Illinois UP, 1983.
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Love, Harold. Restoration Literature: Critical Approaches. London: Methuen, 1972.
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Maurocordato, Alexandre. « Ainsi va le monde : Étude sur la structure d’une “comedy of manners” ». Archives des Lettres Modernes 76.4 (1967) : 1-54.
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Nicoll, Allardyce. A History of English Drama: 1660-1900. Vol. 3. Late Eighteenth-Century Drama: 1750-1800. Cambridge: Cambridge UP, 1952.
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Payne Fisk, Deborah, ed. The Cambridge Companion to English Restoration Theatre. Cambridge: Cambridge UP, 2000.
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Quinsey, Katherine M., ed. Broken Boundaries: Women and Feminism in Restoration Drama. Lexington: UP of Kentucky, 1996.
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Young, Douglas. The Feminist Voices in Restoration Comedy. Oxford: UP of America, 1997.
La comédie victorienne et édouardienne
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Aquien, Pascal, éd. et trad. Oscar Wilde. L’Importance d’être Constant. Paris : Flammarion, 2000.
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—. Éd. et trad. Oscar Wilde. Un mari idéal. Paris : Flammarion, 2004.
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Booth, M. Prefaces to English Nineteenth-Century Theatre. Manchester: Manchester UP, 1980.
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Dukore, Bernard F. Shaw’s Theatre. Gainesville: U of Florida P, 2000.
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Jackson, Russell, ed. Victorian Theatre. London: A&C Black, 1989.
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Leech, Clifford and T.W. Craig, eds. The Revels History of Drama in English. Vol VI: 1750-1880. London: Methuen, 1975.
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Nicoll, Allardyce. A History of English Drama: 1660-1900. Vol. 3 Late Eighteenth Century Drama: 1750-1800. Cambridge: Cambridge UP, 1952.
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Raby, Peter, ed. The Cambridge Companion to Oscar Wilde. Cambridge: Cambridge UP, 1997.
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Shaw, George Bernard. Our Theatres in the Nineties. Vol. 1. London: Constable, 1931.
La comédie au xxe siècle
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Barker, Howard. Arguments for a Theatre. [1989]. Manchester: Manchester UP, 1997.
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—. Arguments pour le théâtre. Trad. É. Angel-Perez, I. Bertoux, I. Famchon, S. Hirschmüller. Besançon : Solitaires Intempestifs, 2005. (À paraître)
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Bigsby, C.W.E. Ed. Stratford-Upon-Avon Studies 19. Contemporary English Drama. London: Edward Arnold, 1981.
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Brook. The Empty Space. [1968]. Harmondsworth: Penguin, 1980.
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Buse, Peter. Theory + Drama. Manchester: Manchester UP, 2001.
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Catsiapis, Hélène. La Comédie anglaise du XXe siècle. Paris : SEDES, 1989.
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Esslin, Martin. The Theatre of the Absurd. [1961]. Harmondsworth: Pelican, 1980.
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Hankins, Jérôme. « Edward Bond : aux portes du comique ». Aux Nouvelles écritures théâtrales. Carnets de lecture 7 (2005).
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Innes, Christopher. Modern British Drama: The Twentieth Century. Cambridge: Cambridge UP, 2002.
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Jacquart, Emmanuel. Le Théâtre de la dérision, éd. rév. Paris : Gallimard, 1998.
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Orr, John. Tragicomedy and Contemporary Culture: Play and performance from Beckett to Shepard. London: Macmillan, 1991.
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Priestley, J.B. The English Comic Characters. London: Dodd, Mead and cie, 1925.
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Reitz, Bernhard, ed. New Forms of Comedy. Trier: Wissenschaftlicher Verlag Trier, 1994.
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Shank, Theodor. Contemporary British Theatre. London: Macmillan, 1994.
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Sierz, Aleks. In-Yer-Face Theatre. London: Faber, 2001.
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Vigouroux-Frey, Nicole, éd. Comedy — Comédie. Coup de théâtre 9 (1989).