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Bibliographie 1975-2005

Tome 59 2006/1

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Bibliographie 1975-2005

1. Ouvrages et articles de référence

· Andonian, Cathleen Culotta. Samuel Beckett: A Reference Guide. Boston: Hall, 1989.

· Breuer, Rolf and Werner Huber. A Checklist of Beckett Criticism in German. Paderborn: Schöning, 1996.

· Browne, Joseph. “The ‘Critic’ and Samuel Beckett: A Bibliographic Essay.” College Literature 8:3 (Fall 1981): 292-309.

· Carpenter, Charles A. “Some Elusive Parts of Books on Beckett’s Drama, 1966-1980.” The Beckett Circle 3:1 (Spring 1981): 2-4.

· Davis, Robin J. Samuel Beckett. Checklist and Index of his Published Works 1967-1976, Sterling: U of Sterling, 1979.

· Gontarski, S. E. “Bibliography of Short Prose in English.” Samuel Beckett: The Complete Short Prose, 1929-1989. New York: Grove P, 1995: 287-94.

· Jacquart, Emmanuel. « Beckett : bibliographie ». Beckett par Beckett. Éd. Pierre Chabert. Revue d’esthétique (numéro hors-série) : 423-33.

· Mays, J. C. C. « Bibliographie du jeune Beckett ». Beckett avant Beckett : Essais sur les premières œuvres. Éd. Jean-Michel Rabaté. Paris : PÉNS, 1984 : 187-94.

· Murphy, P. J., Werner Huber, Rolf Breuer, and Konrad Schoell. Critique of Beckett Criticism: A Guide to Research in English, French, and German. Columbia, SC: Camden House, 1994.

2. Biographies, correspondances et mémoires

· Atik, Anne. How It Was: A Memoir of Samuel Beckett. London: Faber, 2001.

· Bair, Deirdre. Samuel Beckett: A Biography. London: Picador, 1978.

· Bernold, André. L’Amitié de Beckett 1979-1989. Paris : Hermann, 1992.

· Brater, Enoch. The Essential Samuel Beckett: An Illustrated Biography. London: Thames and Hudson, 2003.

· Büttner, Gottfried. Unterwegs im 20. Jahrhundert: Erinnerungen, Begegnungen, Anekdoten. Dornach (Suisse): Verlag am Goetheanum, 1997.

· Cronin, Anthony. Samuel Beckett: The Last Modernist. London: Harper Collins, 1997.

· Gussow, Mel. Conversations with and about Beckett. New York: Grove/Atlantic, 1996.

· Harmon, Maurice, ed. No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider. London and Cambridge: Harvard UP, 1998.

· Juliet, Charles. Rencontres avec Samuel Beckett. Paris : P.O.L., 1999.

· Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1996.

· —. Images of Beckett. Cambridge: Cambridge UP, 2003.

3. Manuscrits, critique génétique

· Bryden, Mary, Julian Garforth, and Peter Mills. Beckett at Reading: Catalogue of the Beckett Manuscript Collection. Reading: Whiteknights P and Beckett International Foundation, 1998.

· Lake, Carlton, Linda Eichhorn, and Sally Leach. No Symbols Where None Intended: A Catalogue of Books, Manuscripts, and Other Material Relating to Samuel Beckett in the Collections of the Humanities Research Center. Austin: U of Texas, 1984.

· Pilling, John and Mary Bryden, eds. The Ideal Core of the Onion: Reading Beckett Archives. Reading: Beckett International Foundation, 1992.

4. Revues

· Journal of Beckett Studies. Ed. S. E.Gontarski. 1(1976) –.

· Samuel Beckett Today/Aujourd’hui (SBT/A). Vol 1 (1992) – :

· Samuel Beckett: 1970-1989. Eds. Marius Buning, Sjef Houppermans, and Danièle de Ruyter. SBT/A 1 (1992).

· Beckett in the 1990s / Beckett dans les années 1990. Eds. Marius Buning and Lois Oppenheim. SBT/A 2 (1993).

· Intertexts in Beckett’s Work et / ou Intertextes de l’œuvre de Beckett. Eds. Marius Buning and Sjef Houppermans. SBT/A 3 (1994).

· The Savage Eye / L’Œil Fauve: New Essays on Beckett’s Television Plays. Ed. Catharina Wulf. SBT/A 4 (1995).

· Beckett & la psychanalyse & Psychoanalysis. Ed. Sjef Houppermans. SBT/A 5 (1996).

· Crossroads and Borderlines – L’Œuvre carrefour / l’œuvre limite. Ed. Emmanuel Jacquart. SBT/A 6 (1997).

· Beckett versus Beckett. Eds. Marius Buning, Danielle de Ruyter, Matthijs Engelberts, and Sjef Houppermans. SBT/A 7 (1998).

· Poetry and Other Prose / Poésies et autres proses. Eds. Marius Buning, Matthijs Engelberts, and Sjef Houppermans. SBT/A 8 (1999).

· Beckett and Religion / Beckett / Aesthetics / Politics. Beckett et la religion / Beckett / L’Esthétique/ La Politique. Eds. Mary Bryden, Lance St John Butler, and Peter Boxall. SBT/A 9 (2000).

· L’Affect dans l’œuvre becket-tienne / Beckett and the Affects. Eds. Matthijs Engelberts, Sjef Houppermans, Yann Mevel, and Michèle Touret. SBT/A 10 (2001).

· Samuel Beckett: Endlessness in the Year 2000 / Samuel Beckett: Fin sans fin en l’an 2000. Eds. Angela Moorjani, and Carola Veit. SBT/A 11 (2001).

· Pastiches, Parodies & Other Imitations / Pastiches, Parodies & Autres Imitations. Eds. Marius Buning, Matthijs Engelberts, Sjef Houppermans. SBT/A 12 (2002).

· Three Dialogues Revisited / Les Trois dialogues revisités. Eds. Marius Buning, Matthijs Engelberts, Sjef Houppermans, and Danièle de Ruyter-Tognotti. SBT/A 13 (2003).

· After Beckett / D’après Beckett. Eds. Sjef Houppermans, Anthony Uhlmann, and Bruno Clément. SBT/A 14 (2004).

· Historicising Beckett / Issues of Performance / Beckett dans l’histoire / En jouant Beckett. Eds. Marius Buning, Matthis Engelberts, Sjef Houppermans, Dirk Van Hulle, and Danièle de Ruyter. SBT/A 15 (2005).

5. Critique générale

· Abbott, H. Porter. Beckett Writing Beckett: The Author in the Autograph. Ithaca: Cornell UP, 1996.

· Acheson, James. Samuel Beckett’s Artistic Theory and Practice: Criticism, Drama and Early Fiction. London: Macmillan; New York: Saint Martin’s P, 1997.

· —. Texts for Company: Thirteen Essays on Samuel Beckett’s Later Fiction and Drama. London: Macmillan, 1986.

· Ackerly, C. J. and S. E. Gontarski. The Grove Companion to Samuel Beckett: A Reader’s Guide to His Work, Life and Thought. New York: Grove/Atlantic, 2004.

· Alexandre, Didier, éd. Lire Beckett. Lyon: PU de Lyon, 1998.

· Andonian, Cathleen C., ed. The Critical Response to Samuel Beckett. Norwalk: Greenwood, 1998.

· Astro, Alan. Understanding Samuel Beckett. Columbia: U of South Carolina P, 1990.

· Beja, Morris, S. E. Gontarski, and Pierre Astier, eds. Samuel Beckett: Humanistic Perspectives. Colombus: Ohio State UP, 1983.

· Ben-Zvi, Linda, ed. Women in Beckett: Performance and Critical Perspectives. Urbana: U of Illinois P, 1990.

· Blau, Herbert. Sails of the Herring Fleet: Essays on Beckett. Ann Arbour: U of Michigan P, 2003.

· Bonhomme, Béatrice, éd. Samuel Beckett. Nice : Association des Publications de la Faculté des Lettres de Nice, 1999.

· Brater, Enoch. Beyond Minimalism: Beckett’s Late Style in the Theatre. Oxford: Oxford UP, 1987.

· —. The Drama in the Text: Beckett’s Late Fiction. Oxford: Oxford UP, 1994.

· Brienza, Susan D. Samuel Beckett’s New Worlds: Style in Metafiction. Oklahoma: U of Oklahoma P, 1987.

· —, ed. Beckett at Eighty: Beckett in Context. Oxford: Oxford UP, 1986.

· Bryden, Mary. Women in Samuel Beckett’s Prose and Drama: Her Own Other. London: Barnes and Noble, 1993.

· —, ed. Samuel Beckett and Music. Oxford: Clarendon P; New York: Oxford UP, 1998.

· Butler, Lance St John and Robert Davis, eds. Rethinking Beckett: A Collection of Critical Essays. New York: Saint Martin’s P, 1990.

· Calder, John, ed. As No Other Dare Fail: Festschrifft for Samuel Beckett’s 80th Birthday. London: Calder; New York: Riverrun P, 1986.

· Casanova, Pascale. Beckett l’abstracteur – Anatomie d’une révolution littéraire. Paris: Seuil, 1997.

· Clément, Bruno. L’Œuvre sans qualité : Rhétorique de Samuel Beckett. Paris : Seuil, 1994.

· Cochran, Bob. Samuel Beckett: A Study of the Short Fiction. London: Macmillan, 1992.

· Cohn, Ruby. A Beckett Canon. Ann Arbour: U of Michigan P, 2001.

· Cousineau, Thomas. After the Final No: Samuel Beckett’s Trilogy. Newark: U of Delaware P; London: Associated UP, 1999.

· Dearlove, J. E. Accommodating the Chaos: Samuel Beckett’s Nonrelational Art. North Carolina: Duke UP, 1982.

· Dubatti, Jorge, ed. Samuel Beckett en la Argentina. Buenos Aires: Universidad de Buenos Aires, 1998.

· Engelberts, Matthijs. Défis du récit scénique : formes et enjeux du mode narratif dans le théâtre de Beckett et de Duras. Geneva : Droz, 2001.

· Gontarski, S. E., ed. On Beckett: Essays and Criticism. New York: Grove P/Atlantic, 1986.

· —. The Beckett Studies Reader, 1976-1991. Gainsville: UP of Florida, 1993.

· Gordon, Lois. The World of Samuel Beckett, 1906-1946. New Haven: Yale UP, 1998.

· —. Reading ‘Godot’. New Haven: Yale UP, 2002.

· Grossman, Évelyne et Régis Salado, éd. Samuel Beckett : l’écriture et la scène. Paris : Sedes, 1998.

· Henning, Sylvie Debevec. Beckett’s Critical Complicity: Carnival, Contestation and Tradition. Lexington, KY: UP of Kentucky, 1988.

· Hutchings, William. Samuel Beckett’s Waiting for Godot: A Reference Guide. Norwalk: Greenwood P, 2005.

· Knowlson, James and John Pilling. Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett. New York: Grove P, 1980.

· Lyons, Charles R. Samuel Beckett. New York: Saint Martin’s P, 1990.

· McCarthy, Patrick A., ed. Critical Essays on Samuel Beckett. Boston: Hall, 1986.

· Miller, Lawrence. Samuel Beckett: The Expressive Dilemma. New York: Saint Martin’s P, 1992.

· Moorjani, Angela. Abysmal Games in the Novels of Samuel Beckett. Chapel Hill: U of North Carolina P, 1982.

· Morot-Sir, Edouard, Howard Harper, and Dougald McMillan, eds. Samuel Beckett: The Art of Rhetoric. North Carolina: U of North Carolina P, 1976.

· Oppenheim, Lois, ed. Beckett on and on. Madison, NJ: Fairleigh Dickinson UP, 1996.

· —, ed. Samuel Beckett Studies. London: Palgrave Macmillan (Palgrave Advances in Beckett Studies), 2004.

· Pattie, David. The Complete Critical Guide to Samuel Beckett. London and New York: Routledge, 2000.

· Pilling, John. Beckett Before Godot. Cambridge: Cambridge UP, 1998.

· —, ed. The Cambridge Companion to Beckett. Cambridge: Cambridge UP, 1994.

· Rabinovitz, Rubin. The Development of Samuel Beckett’s Fiction. Urbana: U of Illinois P, 1984.

· Rabaté, Jean-Michel, éd. Beckett avant Beckett : Essais sur les premières œuvres. Paris: PENS, 1984.

· —, éd. Samuel Beckett : Intertextualités et psychanalyse. Numéro spécial Beckett. Interfaces (1992).

· Ricks, Christopher. Beckett’s Dying Words. Oxford: Oxford UP, 1995.

· Simon, Alfred. Samuel Beckett. Paris: Belfond, 1983.

· Smith, Frederik N. Beckett’s Eighteenth Century. New York: Palgrave Macmillan, 2002.

· Stuart, Bruce, ed. Beckett and Beyond. Gerrards Cross: Colin Smythe; New York: Oxford UP, 1999.

· Touret, Michèle, éd. Lectures de Beckett. Rennes : PU de Rennes, 1998.

· Watson, David H. Paradox and Desire in Samuel Beckett’s Fiction. New York: Saint Martin’s P, 1991.

· Weber-Caflisch, Antoinette. Chacun son “dépeupleur” : sur Samuel Beckett. Paris : Minuit, 1995.

6. Théâtre

· Ben-Zvi, Linda, ed. Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Tel Aviv: Assaph Books, 2003.

· Bradby, David. Beckett: ‘Waiting for Godot’ – Plays in Production. Cambridge and New York: Cambridge UP, 2001.

· Cohn, Ruby H. Just Play: Beckett’s Theater. Princeton: Princeton UP, 1980.

· Essif, Les. Empty Figure on an Empty Stage. The Theatre of Samuel Beckett and His Generation. Bloomington: Indiana UP, 2001.

· Fletcher, John. About Beckett: The Playwright and the Work. London: Faber and Faber, 2003.

· — and John Spurling. Beckett the Playwright. London: Methuen, 1985.

· Gidal, Peter. Understanding Beckett: A Study of Monologue and Gesture in the Works of Samuel Beckett. New York: Saint Martin’s P, 1986.

· Gontarski, S. E. The Intent of Undoing in Samuel Beckett’s Dramatic Texts. Bloomington: Indiana UP, 1985.

· —. The Theatrical Notebooks of Samuel Beckett: The Shorter Plays. London: Faber and Faber; New York: Grove P, 1999.

· Graver, Lawrence, ed. Modern Dramatists: Samuel Beckett. London: Routledge, 1997.

· Hale, Jane A. The Broken Window: Beckett’s Dramatic Perspective. Ashland, OH: Purdue UP, 1987.

· Hart, Clive. Language and Structure in Beckett’s Plays. Chester Springs, PA: Dufour, 1986.

· Hauck, Gerhard. Reductionism in Drama and the Theatre: The Case of Samuel Beckett. Potomac, MD: Scripta Humanistica, 1992.

· Homan, Sidney. Beckett’s Theatres. Lewisburg: Bucknell UP, 1984.

· —. Filming Beckett’s Television Plays: A Director’s Experience. Lewis-burg: Bucknell UP, 1992.

· Hubert, Marie-Claude. Langage et corps fantasmé dans le théâtre des années cinquante : Ionesco, Beckett, Adamov. Paris : Corti, 1987.

· Jacquart, Emmanuel. Le Théâtre de dérision : Beckett, Ionesco, Adamov. Nlle éd. Paris: Gallimard, 1998.

· Kalb, Jonathan. Beckett in Performance. Cambridge: Cambridge UP, 1989.

· Kim, Hwa Soon. The Counterpoint of Hope, Obsession, and Desire for Death in Five Plays by Samuel Beckett. New York: Peter Lang, 1996.

· Levy, Shimon. Samuel Beckett’s Self Referential Drama: The Sensitive Chaos. New ed. Brighton: Sussex Academic P, 2002.

· Oppenheim, Lois. Directing Beckett. Ann Arbor: U of Michigan P, 1994.

· Mayberry, Bob. Theatre of Discord: Dissonance in Beckett, Albee and Pinter. Madison, NJ: Fairleigh Dickinson UP, 1989.

· McMillan, Dougald. Beckett in the Theatre: The Author As Practical Playwright and Director. London: Calder; New York: Riverrun P, 1989.

· McMullan, Anna. Theatre on Trial: Samuel Beckett’s Later Drama. London: Routledge, 1993.

· Pountney, Rosemary. Theatre of Shadows: Samuel Beckett’s Drama, 1956-1976. Gerrards Cross: Colin Smythe, 1998.

· Rojtman, Betty. Forme et signification dans le théâtre de Beckett. Paris : Nizet, 1987.

· Ross, Ciaran, Hervé Bismuth, et Christine Lombez, éd. Lectures d’une œuvre – En attendant Godot, Fin de partie. Paris : Éditions du Temps, 1998.

· Worth, Katharine. Samuel Beckett’s Theater: Life Journeys. Oxford: Oxford UP, 1999.

7. Intertextualité, littérature comparée, esthétique

· Albright, Daniel. Representation and the Imagination: Beckett, Kafka, Nabokov and Schoenberg. Chicago: U of Chicago P, 1981.

· —. Beckett and Aesthetics. Cambridge: Cambridge UP, 2003.

· Armstrong, Gordon S. Samuel Beckett, W. B. Yeats and Jack Yeats: Images and Words. Lewis-burg: Bucknell UP, 1990.

· Axelrod, M. R. The Politics of Style in the Fiction of Balzac, Beckett and Cortazar. London: Macmillan; New York: Saint Martin’s P, 1992.

· Bersani, Leo. Arts of Impoverishment: Beckett, Rothko, Resnais. Massachusetts: Harvard UP, 1994.

· Carey, Phyllis and Ed Jewinski, eds. Re: Joyce ‘n Beckett. New York: Fordham UP, 1992.

· Edwards, Michael. Éloge de l’attente : T. S. Eliot et Samuel Beckett. New York: Garland Publishing, 1993.

· Ferrini, Jean-Pierre. Dante et Beckett. Paris : Hermann, 2003.

· Grossman, Evelyne. L’Esthétique de Beckett. Paris : Sedes, 1998.

· Houppermans, Sjef. Samuel Beckett & Compagnie. Amsterdam: Rodopi, 2003.

· Jones, David Houston. The Body Abject: Self and Text in Jean Genet and Samuel Beckett. Oxford and New York: Peter Lang, 2000.

· Megged, Matti. Dialogue in the Void: Beckett and Giacometti. New York: Lumen, 1988.

· Morrison, Kristin. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter. Chicago: U of Chicago P, 1986.

· Oppenheim, Lois. The Painted Word: Samuel Beckett’s Dialogue with Art; Ann Arbour: U of Michigan P, 2000.

· —, ed. Samuel Beckett and the Arts: Music, Visual Arts, and Non-Print Media. New York and London: Garland P, 1999.

· Paine, Sylvia. Beckett, Nabokov, Nin: Motives and Modernism. Port Washington, NY: Kennikat, 1981.

· Piette, Adam. Remembering and the Sound of Words: Mallarmé, Proust, Joyce, Beckett. Oxford: Oxford UP, 1996.

· Reid, James. Proust, Beckett, and Narration. Cambridge: Cambridge UP, 2003.

· Uwah, Godwin O. Pirandellism and Samuel Beckett’s Plays. Potomac, MD: Scripta Humanistica, 1990.

· Wolosky, Shira. Language and Mysticism: The Negative Way of Language in Eliot, Beckett, and Celan. Stanford: Stanford UP, 1995.

· Wulf, Catherina. The Imperatives of Narration: Beckett, Bernhard, Schopenhauer, Lacan. Brighton: Sussex Academic P, 1997.

8. Philosophie, postmodernisme, déconstruction

· Amiran, Eyal. Wandering and Home: Beckett’s Metaphysical Narrative. Philadelphia: Pennsylvania State UP, 1993.

· Badiou, Alain. Beckett : l’increvable désir. Paris : Hachette, 1995.

· —. Samuel Beckett : l’écriture du générique et l’amour. Paris : Le Perroquet, 1989.

· —. On Beckett. Trans. Nina Power and Alberto Toscano. Manchester: Clinamen Press, 2003.

· Begam, Richard. Samuel Beckett and the End of Modernity. Stanford: Stanford UP, 1996.

· Boulter, Jonathan. Interpreting Narrative in the Novels of Samuel Beckett. Gainesville: UP of Florida, 2001.

· Butler, Lance St John. Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. New York: Saint Martin’s P, 1984.

· Danziger, Marie F. Text Countertext: Postmodern Paranoia in Samuel Beckett, Doris Lessing and Philip Roth. New York: Peter Lang, 1996.

· Davies, Paul. The Ideal Real: Beckett’s Fiction and Imagination. Madison, New Jersey: Fairleigh Dickinson UP, 1994.

· —. Beckett and Eros: Death of Humanism. London: Mac-millan; New York: Saint Martin’s P, 2000.

· Foster, Paul. Beckett and Zen: A Study of Dilemma in the Novels of Samuel Beckett. Somerville, MA: Wisdom P, 1989.

· Katz, Daniel. Saying I No More: Subjectivity and Consciousness in the Prose of Samuel Beckett. Illinois: Northwestern UP, 1999.

· Kundert-Gibbs, John. No-Thing is Left to Tell: Zen/Chaos Theory in the Dramatic Art of Samuel Beckett. Madison, NJ: Fairleigh Dickinson UP; London: Associated UP, 1999.

· Locatelli, Carla. Unwording the World. Philadelphia: U of Pennsylvania P, 1990.

· Murphy, P. J. Reconstructing Beckett: Language and Being in Samuel Beckett’s Fiction. Toronto: U of Toronto P, 1990.

· Trezise, Thomas. Into the Breach: Samuel Beckett and the Ends of Literature. Princeton: Princeton UP, 1990.

· Uhlmann, Anthony. Beckett and Poststructuralism. Cambridge, New York: Cambridge UP, 1999.

9. Psychanalyse

· Anzieu, Didier. Beckett et le psychanalyste. Paris : Mentha / Archimbaud, 1992.

· —. Beckett. Paris: Gallimard, 1999.

· Baker, Phil. Beckett and the Myth of Psychoanalysis. London: Macmillan; New York: Saint Martin’s P, 1997.

· Bernard, Michel. Samuel Beckett et son sujet : une apparition évanouissante. Paris: L’Harmattan, 1996.

· Gunn, Daniel. Psychoanalysis and Fiction: An Exploration of Literary and Psychoanalytic Borders (Beckett, Proust, Kafka, Duras). Cambridge, New York: Cambridge UP, 1988.

· Hill, Leslie. Beckett’s Fiction: In Different Words. Cambridge: Cambridge UP, 1990.

· Keller, John. Samuel Beckett and the Primacy of Love. Manchester: Manchester UP, 2003.

· O’Hara, J. D. Samuel Beckett’s Hidden Drives: Structural Uses of Depth Psychology. Gainesville: UP of Florida, 1997.

· Moorjani, Angela. Beyond Fetishism and Other Excursions in Psychopragmatics. London: Macmillan; New York: Saint Martin’s P, 2000.

· Ross, Ciaran. Aux frontières du vide : Beckett ou une écriture sans mémoire ni désir. New York, Amsterdam : Rodopi, 2004.

· Smith, Joseph H., ed. The World of Samuel Beckett. Baltimore and London: The Johns Hopkins UP, 1991.

10. Religion et mythe

· Baldwin, Helene L. Samuel Beckett’s Real Silence. Philadelphia, PA: Pennsylvania State UP, 1981.

· Bryden, Mary. Samuel Beckett and the Idea of God. London: Macmillan; New York: Saint Martin’s P, 1998.

· Burkman, Katherine H., ed. Myth and Ritual in the Plays of Samuel Beckett. Madison, NJ: Fairleigh Dickinson UP, 1987.

· Doll, Mary A. Beckett and Myth: An Archetypal Approach. New York: Syracuse UP, 1988.

· Hunkeler, Thomas. Échos de l’ego dans l’œuvre de Samuel Beckett. Paris : L’Harmattan, 1998.

· Van Der Hoeden, Jean. Samuel Beckett et la question de Dieu. Paris : Cerf, 1997.

11. Traduction, bilinguisme

· Collinge, Linda. Beckett traduit Beckett. De Malone meurt à Malone Dies : l’imaginaire en traduction. Genève : Droz, 2000.

· Edwards, Michael. Beckett ou le don des langues. Paris : Éditions Espaces, 1998.

· Fitch, Brian. An Investigation into the Status of the Bilingual Work: Beckett and Babel, Toronto, Buffalo, London: U of Toronto P, 1988.

· Friedman, Alan W., ed. Beckett Translating/Translating Beckett. University Park, PA: Pennsylvania State UP, 1987.

· —, ed. Beckett in Black and Red: The Translations for Nancy Cunard’s ‘Negro’ (1934). Lexington, KY: UP of Kentucky, 2000.

· Sardin-Damestoy, Pascale. Samuel Beckett auto-traducteur ou l’art de l’empêchement. Arras : Artois PU, 2002.

12. Beckett et l’Irlande

· Gluck, Barbara. Beckett and Joyce: Friendship and Fiction. Lewis-burg: Bucknell UP, 1979.

· Harrington, John P. The Irish Beckett. New York: Syracuse UP, 1991.

· Junker, Mary. Beckett: The Irish Dimension. Dublin: Wolfhound, 1995.

· Mercier, Vivian, Beckett/Beckett. New York, Oxford: Oxford UP, 1977.

· O’Brien, Eoin. The Beckett Country: Samuel Beckett’s Ireland. New York: Arcade, 1993.

· Wilmet, Steve, ed. Beckett in Dublin. Minneapolis: Irish Books and Media, 1996.